Interview: Britney Spears Impersonator Allegra Pi DuVal to Return to Roxy’s Cabaret
Oops, she’s doing it again! Allegra “Pi” DuVal, the superstar Britney Spears tribute act and professional choreographer, is back and better than ever! Prepare to be mesmerized as she takes the stage once again at Roxy’s Cabaret in Minneapolis. If her electrifying June stint at Roxy’s was any indication, her performance on January 11th is an event you won’t want to miss. Mark your calendars for shows at 11 a.m. and 2 p.m. Join me as I sit down with the artist behind these iconic performances and dazzling dance moves. Get ready for an intimate and candid conversation filled with references to our beloved Princess of Pop, the legendary Miss Britney Spears.
What is your process for creating such authentic Britney Spears looks?
So I've always been into fashion and costume design ever since I was a very little girl! I have pictures of me at three years old putting together looks with my clothes and random accessories of my mother's! I've always been super creative when upcycling things to create Britney's looks, which I study by finding pictures and videos on the internet!
How do you choose the setlist for your shows?
So I have a large list of songs that I offer! If I'm doing a private event, I work with the client to curate the best playlist for their event as they usually have an idea of what songs they want already. When doing shows like Roxy's Cabaret, I have to think about songs that I can bust out choreography, but ALSO have time to walk around and interact with the audience.
How do you engage with your audience during your performances?
In between the strenuous sets of choreography, I love to walk around and sing to people (and they usually sing back to me!)
There are so many iconic Britney Spears dance moves. Is there one that gets your crowds the most excited?
Everyone always lets out a huge "WOO!" when I do the floor slide in “I’m A Slave 4 U”! Also, people really love the dance breakdown in “Overprotected”!
Do you have any signature audience interactions?
I do! When I do “…Baby One More Time,” there is a section where I run to one side of the room and get that side to scream and yell, and then run to the other side and get them to scream and yell as well — it's kind of like a battle of the two sides to see who can be louder!
How excited are you to perform at Roxy’s Cabaret in Minneapolis again?
Oh my God, I have been looking forward to this since the day I left Minnesota back in June! It might just be my favorite place to perform now!
What’s your favorite Minneapolis memory?
One of my favorite memories was in between shows the first time I was at Roxy’s. I came up to the top floor, and the whole floor busted out singing “Happy Birthday” for me. It made me cry happy tears! Also, every single moment being backstage with Nina, Bebe, and Monica and the Roxy crew was so fun! Everyone at Roxy's became my family, and it was such a wonderful time. OH and the Pride Parade was so much fun too! SEE YOU ALL SOON!
The Jinkx & DeLa Holiday Show Stuns at Pantages Theatre in Minneapolis
The Jinkx & DeLa Holiday Show, a beloved holiday season tour — and veritable drag tradition — made its way back to Minneapolis, Minnesota, at the Pantages Theatre on December 11th. The venue became a winter wonderland thanks to this year’s undoubtedly lively and comedic holiday season production. It was co-written by the dynamic duo of two-time “RuPaul’s Drag Race” winner Jinkx Monsoon and the multitalented BenDeLaCreme (also an alum of “RuPaul’s Drag Race” and spin-off “RuPaul’s Drag Race All Stars”). The Jinkx & DeLa Holiday Show skillfully blended comedy, music, and camp to bring much-needed Christmas cheer during uncertain times.
From the moment the curtains rose, the audience was captivated by the undeniable holiday magic created by director BenDeLaCreme’s production company, BenDeLaCreme Presents. The stage was adorned with striking red and green visuals. It was enhanced by fog machines, which created a mesmerizing, multi-colored haze. The costumes were nothing short of jaw-dropping, exuding elegance as Jinkx & DeLa effortlessly commanded the stage with their impeccable comedic timing and talented, pop-meets-theater vocals.
Photo By: Santiago Felipe
The show’s narrative, a clever retelling of the classic Nutcracker story, provided a solid foundation for a series of hilarious sketches and musical numbers. The parodies were spot-on, with Jinkx & DeLa paying homage to various artists. A Chappell Roan-inspired song titled “HOT COCO!” stood out as a parody of Roan’s monster pop hit “HOT TO GO!”
The audience erupted in laughter as the show truly delivered, showcasing the drag duo’s wit. One of the evening’s highlights was the return of Hunky the Elf, a beloved character who has become an integral part of this tradition. Hunky’s unexpected illness — which signaled something amiss with the show plot — was cleverly written to convey that the show was “saved” once he recovered.
Beyond the humor and spectacle, the Jinkx & DeLa Holiday Show also carried a poignant message about the importance of perseverance, hinting at the disappointment felt from the 2024 election results. This underlying theme resonated deeply with Jinkx & DeLa’s audience, leaving us feeling inspired to persevere in uncertain times ahead.
The Jinkx & DeLa Holiday Show is a must-see for fans of drag, comedy, and general Christmastime tradition. Jinkx & DeLa’s signature brand of unique, unforgettable live experiences will leave you enveloped in holiday spirit.
I highly recommend the show. 5 out of 5 stars.
Review: Gladiator II
Ridley Scott’s “Gladiator II” is a surprising new sequel to his 2000 epic. Both an equally great and deeply moving continuation, the raw and gritty film also features a fresh perspective on masculinity in blockbuster cinema. All while providing audiences with the trademark, clever arena gore of the Russell Crowe-led original.
The sequel’s protagonist is an exceptional fighter, a complex and nuanced character who grapples with his identity as a gladiator and more. It’s challenging to describe further without spoilers, but his journey is one of self-discovery as he navigates the brutal world of the arena and the political intrigue of Rome.
The film’s queer undertones are subtle yet significant. The homoerotic tension between gladiators is palpable, and the film’s focus on male physicality and military camaraderie delivers eye candy as a byproduct — on purpose. This is Hollywood, after all.
“Gladiator II” is a visceral, visual feast, with gripping battle sequences and a breathtakingly epic scope. The performances are top-notch, with acclaimed actor Connie Nielsen returning to deliver the most emotionally profound storyline within the film’s plot.
Surprisingly, the stellar sequel holds up to the iconic original, retroactively making the original even more satisfying to watch. It leaves you wondering what’s next for the “Gladiator” franchise, which — in my opinion — is definitely worth continuing with a “Gladiator III.” “II” is a must-see for fans of both historical epics and Ridley Scott’s genre-defining filmography.
John Waters' New Show The Naked Truth Wows Minneapolis’ The Parkway Theater Audience
The legendary gay filmmaker delivered both a riotously hilarious and powerfully poignant performance onstage this past Saturday night.
This past Saturday night, November 2, John Waters — the undisputed king of trash cinema — graced the stage of Minneapolis’ The Parkway Theater with his latest one-man show, The Naked Truth. Waters’ show is a provocative, sometimes surprisingly tender exploration of his life, career, and queer perspective on the world. The show is an edgy, yet crowd-pleasing, must-see for Waters fans and newcomers alike.
Saturday’s performance was a masterclass in storytelling. Waters effortlessly wove together anecdotes from his childhood, early filmmaking days, and rise to cult icon status. When he stumbled between subjects later in the show, he made a joke of it. That was his quick wit at work. Naturally and casually elevating the show on a meta level. Always bringing down the fourth wall and staying connected to his live audience.
His wit and precision as a seasoned speaker shone through as he delivered with ease. However, beneath the slick surface of the blunt humor lies a deeper exploration of themes such as the nature of the human condition and its intersectionality his and others’ celebrity status. Divine, Mink Stole, Melanie Griffith and more performers from his iconic company of actors, the Dreamlanders, were mentioned.
A suavely dressed and organic performer, Waters commanded the stage with a palpable blend of charm, irreverence, and vulnerability. His one-man show was filled with laugh-out-loud moments, but it also offered poignant and thought-provoking reflections on a myriad of subjects. From politics to humorous takes on sex and drugs, this show had it all.
The Naked Truth is not merely a must-see for Waters’ fandom; it’s also an excellent introduction to his world for Gen Z and other newcomers. Whether you’re familiar with his films or not, this hilarious and insightful show will enlighten you. Public speaking at its most enthralling and entertaining. 5/5 stars
Interview: John Waters and The Naked Truth at The Parkway Theater
Ahead of his show “The Naked Truth” at the Parkway Theater on November 2, Waters discusses his love for Minneapolis and the legacy of Divine.
Renowned gay writer and film director John Waters, celebrated for his bombastically avant-garde and boundary-shattering cinematic works like “Pink Flamingos,” “Female Trouble,” “Hairspray,” and “Serial Mom,” has cultivated a deep connection with the Twin Cities. His presence has manifested here in various forms, such as screenings of six of his iconic films at the Walker Art Center and his annual live performance at The Parkway Theater. Waters has consistently been regarded as a cherished figure within our Minneapolis-St. Paul community. In this “Scene” exclusive interview, we delve into Waters’ Minnesotan experiences, both on and off stage.
Ahead of his November 2 one-man show “The Naked Truth” at The Parkway Theater, we shed light on the essential contemporary physical media reissues of his films, reflect on his legendary cast — collectively known as Dreamlanders — and explore his insightful perspectives on “RuPaul’s Drag Race,” the competition reality television program that once paid tribute to him with an entire special episode. Waters shares his characteristically candid thoughts throughout, including how today’s drag queens channel Divine. He reflects on the LGBTQIA+ community on and off screen, with clear focus on the urgent political challenges faced by transgender people.
Photo By Greg Gorman
Derek Murawski-Harguth: Hi, John. I’m Derek Murawski-Harguth from Twin Cities Queer Scene. How are you doing today?
John: I’m well, I’m great. After you, I get on a plane and go to Las Vegas to the Las Vegas Book Fair.
Oh, wonderful. I’m also doing great today. I majored in Film Studies, and you are my favorite film director.
Oh, thank you.
Yes, thank you. This is a distinct honor. Thank you.
Well, thank you. I’m happy to be coming back to your great city in a wonderful theater.
Yeah, let’s get started. Your Blu-ray reissues with the Criterion Collection are so well made and exciting for your fans. Do you have any new reissues in the works?
Well, the “Cry-Baby” just came out, not with Criterion. It came out with Kino Lorber, but they did an amazing job, and they have all-new extras, interviews with everybody in it today — some of them like, you know, people haven’t seen in years — so it’s really a good package.
I’m really excited for that one.
So that’s the newest film that’s coming out. But I just did a thing with Criterion for the TV show, where I picked movies I love, and we’re gonna do more. They’re a great, classy company that’s been absolutely wonderful to work with.
That’s great to hear. Dreamlander Cookie Mueller was recently featured on screen during the AIDS memorial on Madonna’s Celebration Tour. Do you have a favorite story from directing Cookie?
I don’t know if it’s from directing or my favorite stories. When she used to go out, she’d always be in a hurry, and so I would say, “What are you doing?” She would snort instant coffee.
Oh, wow.
She would put a line of instant coffee down and snort it. And I always was amazed. She always did that and claimed it worked.
Oh, I love that. That’s so Cookie. 1977’s “Desperate Living” is my most rewatched film of yours. What do you think the fictional town of Mortville would be like in 2024?
What do you mean? Every city is like Mortville now, after COVID. It’s a combination of “C.H.U.D.” the movie. Do you know that movie?
No, I’m sorry.
“Cannibalistic, human underground dwellers” — C.H.U.D. — and there was even a sequel about a cute C.H.U.D. called “C.H.U.D. II: Bud the C.H.U.D.” So I would say it’s a combination of those movies. And, you know, I don’t know. I think Mortville is, is very much like today, everywhere. You see it, everywhere, on every corner.
That’s an apt observation. Definitely. What are your thoughts on the current state of queer cinema?
You know, gay is not enough. It’s a good start. I think it’s progress to admit that there’s bad gay films, too. I think now, with the new sexual revolution, it’s not so cut and dry. I always say, “You’re here, you’re not all queer, and nobody’s used to it.” That’s a new generation of non-binary.
Do you have any stories about your time visiting and performing in Minneapolis?
Well, you know, I’ve been there so many different times. It’s always been a great city for me, and it’s always scary, because they always put me near the world’s largest mall — the one thing that I would never, ever want to visit. Nothing against it. But I’m scared of malls. Other people are scared to go in bad neighborhoods. I’m scared of malls.
Yeah, Mall of America.
I have some great friends that live in Minneapolis, so I always see them and have lunch and everything. So it’s always been a great movie town, and it’s always been a very hip town. I always have had good luck in Minneapolis.
That’s wonderful to hear. What can we expect at your show at the Parkway Theater in Minneapolis?
Well, it’s a brand new one that I’ve only done once, no, half-done it once before. It’s called “The Naked Truth,” so you’re gonna hear it for the first time.
I’m so excited! Can you describe your creative process when casting Mink Stole in a new role?
Well, you know, I made movies like kids do — with their friends. I was friends with her sister — first in Provincetown — and she introduced me, and [Mink’s] real name is Nancy Stoll, so Mink Stole was just what I called her. We got along great. And then she made the first movie with me, just like all kids make movies with their friends, that’s it. And she turned into the Dreamland character actress, really… the best. And she was always Divine’s enemy. It seems like in every movie they were always enemies, where in real life, they were great friends. But my favorite performance of Mink is in “Serial Mom,” just when she enters that courtroom. It’s so hilarious, and she doesn’t even have one word of dialogue — just her expression.
Yeah! “Serial Mom” is one of my top three favorites of yours.
Thank you.
In your opinion, what is the most important lesson that people can learn from Divine’s life and career?
Well, don’t live beyond your means is the only one thing. Secondly, to not you know — when Divine first came out, other drag queens hated him, because they thought he was making fun of it. In a weird way, Divine was making fun of drag. Trying to look pretty, and be Miss America, and be their mother. I think almost every drag queen today shows the influence of Divine. All drag queens are hip now. All of them are tough, all of them are angry, all of them are funny. There’s nobody that just tries to look pretty. At least if they are, I never see them.
True, with the advent of “RuPaul’s Drag Race,” and how big drag culture is now.
Yeah. I mean, it’s amazing to me. RuPaul I congratulate for really making drag accepted by Mid-America. I mean, there's never… all these politicians, they can't get rid of drag. They can't get rid of gay marriage. It's way too late for that. It's already integrated. It's like getting rid of Uber or getting rid of Airbnb. You know, it's too established. They can't get rid of it. But I do fear for the trans movement, because that's who they're going to go after if, if Trump wins. Look out for them. I feel them. You know, get ready to fight.
That is very true. It is coming down to the trans people first.
Well, they have to find somebody, and even Trump — once in one rally — said to his fans, “You didn't even know what trans meant three years ago.” Even he knew that.
Yeah. That's all I have for you today, John, thank you. It was a wonderful honor.
Sure, and I look forward to Minneapolis. Are you going to be at the show?
Yeah, I'm looking forward to seeing you at the Parkway Theater. I'll be reviewing.
Say hi. All right, ask me a good question. Ask me another good question.
Okay, thank you. I will.
Alright, bye bye.
Review: Two High-Flying Sold-Out P!nk Shows at Xcel Energy Center
The pop music icon's daring aerial stunts, powerful vocals, and infectious energy create an unforgettable concert experience
P!nk Live 2024 is more than just a concert tour; it's a full-blown theatrical experience. The irreverently hilarious pop icon's signature blend of powerful vocals, strong acrobatic stunts, and infectious, inclusive energy creates an unforgettable show that leaves you breathless. Her backup performers are just as impressive. They delivered aerial and floor stunts with ease during two sold-out shows at St. Paul’s Xcel Energy Center on October 17 & 18.
P!nk’s daring aerial performances are an undeniable highlight of her live shows. They showcase her sheer strength, which is simply impressive. Suspended high above the stage (“Get the Party Started”) and later the whole Xcel Energy Center crowd (“So What”), she effortlessly defies gravity while belting out her hits.
Even spinning upside down at a breakneck speed, her vocals sounded recording studio-ready. Her vibrant, pop-rock vocals are as impressive as her acrobatics. She delivers her songs with raw emotion and incredible range, leaving her Xcel Energy Center audience captivated. Even her new material, a generous handful of songs from her latest album “Trustfall,” blended in with her classic hits like “Just Give Me A Reason” perfectly.
P!nk is a natural-born performer who knows how to connect with her equally excited audience. Her playful banter and infectious enthusiasm create a fun and energetic atmosphere. It feels inclusive the way she speaks to the crowd, from opening with, “Hi beautiful people” to using the inclusive “y’all” whenever referring to her crowd.
The tour features a stunning technical production with elaborate stage design, pyrotechnics during the hit single “Just Like Fire,” and dazzling lights throughout. Her dancers hold their own in all the beautiful madness, with two featured buff shirtless dancers even playing a couple at the beginning and end of the show — complete with intimate choreography. This was yet another heartwarming example of P!nk’s strong commitment to supporting the queer community, on and off stage.
P!nk's Summer Carnival is a must-see for fans of pop music and live entertainment. It's a high-energy, unforgettable experience that will leave you wanting more.
Interview: Varla Jean Merman
Varla Jean Merman, the iconic drag queen known for her biting wit, powerhouse vocals, and unforgettable performances, has captivated audiences for decades. With a career spanning from the underground scene to the Broadway stage, Varla has become a beloved figure in the LGBTQIA+ community. In this exclusive interview, we delve into her storied career, like working with late legend Leslie Jordan, and why she’s currently spoofing Taylor Swift’s The Eras Tour with her The Errors Tour with Flip Phone Events, coming to LUSH Lounge & Theater on October 18.
How did the character of Varla Jean Merman come to be? What inspired the name and persona?
As a kid, I always loved the name “Darla,” one of the characters in “The Little Rascals.” Talk about an ancient reference…thank God many of my fans are "mature"! Anyway, so when I was introduced to the character of “Varla” in the Russ Meyer cult-movie “Faster Pussycat! Kill! Kill!” I knew that had to be my drag name. Around the same time, I read the Broadway diva Ethel Merman’s autobiography and there is a chapter titled “My Marriage to Ernest Borgnine.” When you turn the page IT’S BLANK! (Wow, more dated references… Ha!) I decided, that if Ethel Merman had a baby from Ernest Borgnine, she would’ve hated it so much because it would’ve reminded her of him and their disastrous 38 day marriage, so she shipped the baby off to an orphanage in Louisiana. That is where the character of my Varla was born. And I added the middle name of “Jean” because it just sounds innocent and southern… well, at least I’m southern.
Who are your drag mentors or inspirations?
I am a huge fan, and friend, of my ultimate inspiration, Miss Coco Peru.
How was working with the late Leslie Jordan in the 2011 off-Broadway musical “Lucky Guy”?
I actually used to open for Leslie on the road for his hilarious comedy show many years before Lucky Guy. He was the funniest person on and off stage that I have ever met. But he also was a kind, and generous man that would do anything for the people he cared for. I sing the Taylor song “Enchanted” with a slide show of us as a tribute to him in “The Errors Tour.”
Which roles of yours have been the most rewarding?
I did “The Miracle Worker” with the drag icon Charles Busch. I was the Helen Keller to his Annie Sullivan, and it was one of the funniest productions I was ever in. I also played Mary Sunshine in the Broadway musical Revival of “Chicago” which was one of the greatest experiences of my life!
What qualities or characteristics do you think are essential for success in a career like yours?
Besides being funny, it is so important to constantly write new material and stay informed and be knowledgable about current pop culture. Dated comedy is never funny.
How did you select Taylor Swift’s The Eras Tour concert title to parody with your show title, The Errors Tour?
I have always been a huge fan of Taylor’s music! I was also toying with the idea of doing a show about how mistakes you make in different eras of your career can often set you up for more success or unexpected outcomes simply by the way you react to them. I was rewriting a Taylor song “22” as “52” and then the idea came to me: THE ERRORS TOUR! I tell stories of the biggest mistakes I have made in my life through a lot of Taylor’s music and it has been my most successful show in my career.
What can audiences expect at your show The Errors Tour with Flip Phone Events at LUSH Lounge & Theater on October 18?
Get ready to see some of the biggest mistakes and misfortune events that have happened to me in my career! Like the time I was on the soap opera “All My Children” and snot flew out of my nose…and then ABC didn’t notice it and aired it! I show the footage to prove it. And that is just one of my many “errors”!
Pop Star CERANDA Wants Your Attention
CERANDA, a maximalist pop star with big style and even bigger bops, is back with a new single. The track, "DO I HAVE YOUR ATTENTION," is a catchy, empowering anthem that showcases her vocal range and undeniable charisma. In this exclusive interview, we sit down with CERANDA to discuss the inspiration behind the song and the music video.
You’ve described yourself as a maximalist pop star. What does maximalism mean to you?
Maximalism is all about going all out — pushing the limits of music production, giving full-throttle performances, and embodying the highest energy in my Pop Star expression. I thrive on the extreme, and even though I’m still in the early stages of my career, I want to give everything I have, both in my music and performances. To me, that's where the fun of this truly is!
Who are your biggest musical influences, and how have they shaped your sound?
My sound has evolved with nearly every studio session. Lately, I’ve been drawing heavily from my childhood, particularly the pop music of 2006-2012. I’m inspired by club, party, and dance tracks like “Buttons” by The Pussycat Dolls, “Pon de Replay” by Rihanna, “Hips Don’t Lie” by Shakira, “Bad Romance” by Lady Gaga, Kesha’s early hits, and Britney Spears’ “Femme Fatale” album. I love experimenting with the endless possibilities in pop, and while it’s been a journey to find my true sound, I feel like I’ve finally arrived — and it’s an incredibly exciting feeling.
What do you think is the most important aspect of building a strong fan base?
Connection. People are drawn to others and things they resonate with online. Whether it’s relating to one of my songs, my vibe, or my life story, building and nurturing that connection is a major focus for me. And of course, looking fabulous and being an entertainer are also key!
Who would you love to collaborate with in the future?
I’ve always had immense respect for Lady Gaga as an artist. Her musical talent, combined with her vulnerable, free, unapologetic, and limitless expression of art, is truly legendary and rare. Just being in the same room as her would be incredible, but collaborating with her is a dream of mine.
What do you enjoy doing in your free time when you're not working?
When I am not working I love dressing up and going out with friends, being at the beach, drinking by a pool on a sunny day, self care, yoga/pilates, taking a heels dance class, finding a nice view in LA, taking a drive to listen to demos, playing pool, and napping because sleep is so nice [Laughs]
Tell us all about your new single “DO I HAVE YOUR ATTENTION”
“DO I HAVE YOUR ATTENTION” is a song I’ve kept to myself for the past two years. From the start, I knew it needed a dance-focused music video to match the beat and the bold statement it makes. For this project, I had to fully embrace my inner maximalist, and it’s been such a fun and transformative experience as an artist. The song was born from feeling overlooked and frustrated online, seeing people and algorithms not taking my music seriously. I channeled that frustration, along with other moments — like when a boy who ignored me before suddenly wanted me after a glow-up, or when strangers stare at me in public, so I give them something to look at. However the song resonates with you, for me, it’s all about unapologetic confidence and knowing you are THAT girl.
What was your favorite moment on the set of the “DO I HAVE YOUR ATTENTION” music video?
It has to be the dance break in the warehouse. I felt like I had fulfilled a childhood dream on that set and it made me crave so much more.
Miz Cracker: Beyond the Glitter
From the bustling streets of New York City to the glittery stage of “RuPaul's Drag Race,” Miz Cracker has captivated audiences worldwide with her sharp wit, stunning looks, and undeniable talent. With a unique blend of comedy and glamour, she's become a beloved figure in the drag community. I had the privilege of speaking with the iconic Miz Cracker to discuss her journey, her inspirations, and what's next for this continually rising star.
Can you talk about your makeup techniques and costume design process? What are some of your favorite looks you've created?
For me, makeup is a low priority, and maybe it shows (ha ha). But garment design is a passion. Usually, a design idea comes to me when a childhood memory surfaces. I'll remember a Barbie that my sister had as a kid. Or my mom's favorite flower, the fuchsia. Or a family trip to a museum where we got to see real Faberge eggs. From those memories, I sketch out garments that bring the past back to life. Oh, by the way, I'm saying "garment" here instead of "costume" because a beloved designer friend of mine, David Dalrymple (@DavidDalrympleInc), once blanched when I called one of his gowns a "costume." I never did it again. I was like, "Oop!!"
Are there any particular artists or performers who inspire you?
No woman is an island — I wouldn't have the drive to create if I didn't have women icons to inspire me. Rachel Bloom, co-creator and star of "Crazy Ex-Girlfriend," showed me how to blend existential dread with pratfalls in my comedy. Amy Winehouse showed me how to Amy Winehouse. Kizha Carr (@thatbeardedqueen) and Brenda Dharling (@bdharling), two fabulous New York City drag queens, showed me how to bring every fiber of my being to every performance. You have to check them out. Jennifer Packer, an internationally renowned painter, showed me how to create art without compromising my values. And The Vixen (@thevixensworld) tries her best, on a daily basis, to keep me on track with that. The list goes on and on and doesn't include any straight men.
Drag can be a demanding profession. How do you prioritize your mental health and well-being?
I don't prioritize my mental health and well being— and maybe it shows (ha ha). I'm a creative person who has been given the incredibly rare, incredibly brief chance to create for a living, so I push as hard as I can to take advantage of this moment. Work/life balance is not a consideration. Would I recommend my way of living to other people? Not really. There are times when I snap, and have to spend a month in bed staring at a wall. And one day I'll probably crash permanently. But I burn my candle at both ends, as they say. I shall not sashay gentle into that good night, etc.
How did “RuPaul’s Drag Race” impact your career and public perception of you?
“RuPaul's Drag Race” allowed me to share my drag and my story with millions of viewers around the world, and I am forever grateful.
What was the first moment in which you felt you had “made it” in the drag industry?
Let's go back to Kizha Carr. A few years before I applied to “Drag Race,” Kizha held a birthday roast for herself at Industry Bar in New York City—and she invited ME to be part of it. Now, Kizha was and is a huge presence in town, so the event was a who's who of NYC nightlife. I was nervous as hell to get up on stage with the big girls in front of all those people. But then Kizha told me I was going to close the show. I was going to roast her last. And I thought to myself, "Oh my God, Kizha Carr thinks I'm good enough to close the show. I've made it."
What do you like to do when you're not performing? Are there any hobbies or interests you enjoy?
Any queen who has been forced to tour with me knows that I am pathologically obsessed with Polaroids. I have this 40-year-old SX-70 Polaroid camera that my wonderful photographer friend Noah Fecks (@noahfacksisawesome) gave me. I take it everywhere I go. And I try to capture the wildness behind the scenes of nightlife everywhere. It's an expensive habit — a pack of 8 Polaroids costs $20. And honestly most of the shots don't turn out, so I waste hundreds of dollars trying to get the perfect image. But when I get THE SHOT—I mean, when I get a truly good one... There's just no feeling like it. Also, sometimes I carry a book around and pretend I'm going to read it.
What can audiences expect at Miz Cracker & Her Boyfriends on September 7 with Flip Phone Events at LUSH Lounge & Theater?
Jam packed with jump splits and jokes, the show shares dozens of never-before-told salty and sexy stories from my romantic life… such as it is. If you want to hear about models and musicians, thieves and con-artists, two-timers and all nighters, look no further. But the show is also more than that to me. It's a big goodbye to my old way of life — a dark era where I allowed men to feed and fuel the ugliest, most self destructive parts of me. And it's my way of warning people not to take the path I've taken. Anywayyyy. Is everyone else having a nice day?
BE: Minneapolis' Rising Pop Star Sets Sail with "BE Island"
Minneapolis has a rich history of producing groundbreaking music, and it looks like the city's crown jewel of pop is about to shine even brighter. BE, the local sensation taking the music scene by storm, has dropped their highly anticipated mixtape, "BE Island." With a sound that's as fresh and invigorating as the city's lakes, BE is poised to solidify their status as a rising star and keep Minneapolis firmly on the musical map. They also have a new live concert experience coming to Phoenix Theater on August 18 and September 15 — and we talk all about it!
Hi BE! The Twin Cities have a rich musical history. Are there any local artists you draw inspiration from?
Honestly I was very late getting into the local music scene and a lot of my inspirations were pop icons or artists that I found on the internet. Last time I spoke with you guys I said that I was inspired by a lot of Britney, Abra, Grimes, Bjork, Charli, Nicki, Azealia and many others. My sound is definitely a mashup of many different influences from all over that I have pulled from the many artists I’ve admired growing up.
How do you see your music contributing to the larger conversation about LGBTQIA+ identity?
My music tends to be very sassy and explicit but I really like to show those sides of myself because that kind of freedom in art is always something I’ve valued. As I’ve grown into myself on my sexuality/gender identity journey it has become increasingly more important for me to stick with my gut, be proud of who I am in my skin and exist in my truth. Dressing and dancing sensually as a queer/non-binary person has gotten me criticized many times which has only made me fight even harder to be exactly how and who i am! These are of course all things that I’m sure all LGBTQ+ people can relate to.
Minneapolis has a vibrant and diverse LGBTQIA+ scene. How has this scene been a part of your artistic journey?
I moved to Minneapolis from Maplewood, MN around 2018 at age 21 and pretty much ever since I’ve been out here I’ve been surrounded by an abundance of queer art and culture. I was living in households with mainly other QPOC community members and creatives so I was definitely going out often to the local events that were happening in the underground music/party scene that was kind of happening in my early 20s. I feel like coming up in that environment taught me to value others as well as myself and stay persistent. I’m personally grateful for the collaborations I’ve done in the past with other local musicians I was interacting with at those times because they’ve brought me many wonderful memories that I look back on very fondly.
Are there any local LGBTQIA+ artists or producers you collaborate with?
There is one artist/producer/engineer that I have worked with several times in the past on many different songs of mine including Black Mamba, Don’t Mind If I Do and nightgarden. He goes by Sather (@satheraudio on Instagram!) and while we haven’t worked together in a while it’s definitely all love to them!
What are your thoughts on the current state of the Minneapolis queer music scene?
I have seen so many fantastic acts in my years here. What I would say is that the scene isn’t what it used to be, distress from covid and the George Floyd riots definitely contributed to that. I think the scene is recovering in some ways but there are a lot of spaces that just truly no longer exist anymore and you just had to be there. In a way I feel I’m reclaiming a lot of the spaces that I lost in this upcoming show at the Phoenix Theater!
What can audiences expect at The BE Xperience: Live at Phoenix Theater on August 18 and September 15?
You guys can expect a FULL LENGTH concert that’s at least an hour long! There will be costume changes, interludes, lighting, props and as always lots of choreography! I’ll also be adapting some of the storytelling/lore elements from my new mixtape “BE Island” (coming out 07/24 on all platforms) into the show as well so I can’t wait for you all to see that for yourselves!! Tickets are $10, there’s gonna be photo ops, games/interactive elements, concessions (that serve alcoholic and THC beverages) and much more!
What has your creative process been like while preparing for this live show?
At the moment I am writing this I’m still developing things but I’ve been spending a lot of time going over the setlist, working on new music, choreographing and brainstorming on how I can elevate this show to its highest potential while staying realistic about things. This is my first time renting out a venue for my own solo show, I’m used to performing at cabarets, on lineups or special events so getting to this point in my musical journey means a lot to me and those who support what I do. I haven’t always been confident in my sound, I also never had enough songs to fill up a full setlist. Now that I am/do I’m excited to continue growing and building myself up as a performance artist. I’m at a point in my artistry where I think it’s important to take risks and be bold, so this is me practicing that!
How did you come up with the title “BE Island” for your new mixtape?
So I’m very invested in building rich experiences and immersive worlds for those who interact with my art on any level. When I was getting back into the studio after my first mixtape Vol.Z3r0 was released in 2023, I was picturing an immense new realm being built. Initially I wanted to call the project “BE World” (which is a title I still intend on using for a future release, possibly the next one!) and when I was listening to the demos I had created since the last mixtape I decided they weren’t quite up to par with the “BE World” title/concept because I just wasn’t there yet sonically with what I had in mind BUT I thought instead we could make a little pit stop to “BE Island”! Once I thought of that concept it was off to the races, I utilized AI on the album/single covers for the first time which was a super useful tool that I can’t believe I spent my whole life without. I think the fact that so much technology is available to artists that can help make the art more fully realized is so so cool! I’m extremely proud with the result of this project, I’m happy that I got to tap into different energies/sounds I’ve always wanted to try like reggae, ska and R&B. I think this project will go down as a fan favorite!
What is your favorite memory of recording “BE Island”?
My favorite memory recording this mixtape was the recording session for the 6th track on the project called “brother man” which discusses my current relationship with my younger brother and matters related to my family upbringing. This song really brought the full Island vision together in terms of the sound of things. Like I said I always wanted to write a reggae song because I have such an admiration for the genre and how it can be so raw/real in its delivery. I’m grateful for the opportunity to create a song that pays homage to such a beautiful genre of music, I thought this vibe captured the essence of the message I was trying to get across with the track perfectly.
Pandora Opens Her “Boxx”
Pandora Boxx, the legendary drag queen with a sharp wit and even sharper style, has finally unveiled her highly anticipated debut album, "Boxx." Known for her iconic performances on “RuPaul's Drag Race,” Boxx has dipped back into the music world, and we're diving headfirst into it with her. Join us as we unpack the album, explore Pandora's creative process, and discover the unexpected sides of this multifaceted artist.
Who are some of your comedic influences, both inside and outside the drag world?
Oh there's so many! Carol Burnett will always be a major influence on me. I really love actresses who are pretty but can be completely goofy like Goldie Hawn, Anna Faris, Bette Midler and the late great Madeline Kahn who was a comedy genius.
“RuPaul's Drag Race” has undeniably had a huge impact on drag. How do you think the show has changed the art form?
I think “Drag Race” has made drag mainstream now. There's so many seasons, it's never-ending. I think that's mostly good but people need to remember to support local drag queens and live shows. I think this year with all of the anti-drag laws and so much access to drag on television some local shows have suffered.
Your comedic timing and wit are legendary. How did you develop your signature performance style?
I guess it goes back to talking about some of my comedy idols. I thought of "Pandora" as a somewhat pretty blonde who could be a total ditz but was always in on the joke.
What are your thoughts on the increasing emphasis on social media presence for drag queens today?
I think it's quite exhausting. I admire the queens who constantly have content and a plethora of photo shoots. It's hard to keep up. I'm addicted to TikTok even if mine is mediocre at best. I'm trying to make it much better.
Where did you draw inspiration from for your new debut album, “Boxx”?
There were a lot of inspirations. One big one was going back to my childhood and write songs that if I heard them then would make me feel so not alone.
What is your personal favorite track on “Boxx,” and why?
It's hard to choose just one favorite but I have a lot of affection for "Pill" as it was the first one I wrote and it's very personal. Plus it mixes "Alice in Wonderland" references interwoven with some heartbreak. I do also love my pirate song called "Scurvy." It's also a little ode to one of my favorite childhood and adult movies "The Goonies." The bridge in "Dance" made me cry the first time I had heard the final demo. It encapsulates what the whole song is about.
Any funny stories from the set of the music video for your album opening track, “Dance”?
Oh! It was a fun shoot! We shot at Luxe Laundries in Hollywood and they were great. The first place we had found out I was a drag queen and cancelled on me. So I'm glad the whole shoot ended up being such fun. I have no desire to give my money to a bigot. I mean, my part of the shoot was long because I had costume changes but the whole cast had fun! Two guys had, shall we say, a lot of fun. Some clever editing cut out some excited members.
Britney Spears Impersonator Allegra “Pi” DuVal To Visit Roxy’s Cabaret
Roxy’s Cabaret is about to have a Britney Spears takeover on Pride Saturday, June 29! Guest talent and Britney Spears impersonator Allegra “Pi” DuVal was born into show business, as her mother was the captain of the ballet company at Radio City Music Hall in the 1970s. A dancer since she could stand up, Pi began teaching dance at only 13 years old. Her dance company, Dance is Love, speaks out against racism, bullying, homophobia, transphobia, domestic violence and more. Since the pandemic, she has taken over TikTok with her Britney content. We had a fun chat about all things Britney, from impersonating to fandom.
“Hey Britney!” Tell us about how you got started impersonating Britney Spears professionally.
So I grew up dancing in my mother's dance school, and knew that I wanted to be a professional dancer for my career. I worked for various dance companies throughout my teens and 20’s, and eventually started my own dance company in 2016, where I got the opportunity to perform at Denver PrideFest — and debuted a Britney performance! I didn't plan on making it into a career, but when the pandemic hit, I started making Britney TikToks to pass the time — and many of them went viral. Soon people were flying me around the country to perform at weddings and birthdays, and I decided to make it an official thing!
What are some of your personal favorite Britney Spears memories, as a fan?
I still remember when I was 12 years old, watching Britney's MTV VMAs performance at home in 2000. Where she rips her suit off and lights up the stage with that nude, sparkly two-piece outfit. Just thinking, "WOW! I wish I could be her!" Her dancing, her costume, her stage presence was next to NONE. Ugh! I still get chills!
What is your absolute favorite Britney song to perform?
“I’m a Slave 4 U” and “Toxic” are my favorite to perform! I love Brian Friedman's choreography!
Britney is known for favoring certain songs over others, and she once admitted (on stage) that she never really liked “Sometimes.” Do you have a least favorite Britney song to perform?
Oddly enough, “Gimme More” is my least favorite to perform just because the song doesn't have much variation within it. It's very monotone and slow. I do love the song, but not to perform on stage.
What's your go-to karaoke song (besides Britney, of course), and how do you think Britney would belt it out?
I love to perform "Poor Unfortunate Souls” from “The Little Mermaid,” just because there's so much sass and attitude with it! I truly can't imagine Britney singing that song, but I'd love to hear her do it!
If you could raid Britney's closet for one outfit, which era would you pick and why?
Oh, I just love all her outfits from her Dream Within a Dream tour! All the low rise pants are my jam!
You accidentally bump into Justin Timberlake (or another past collaborator) at a party. What's your first line as Britney?
"People can take everything away from you, but they can never take away your truth… but the question is… can you handle mine?"
What can audiences expect from your performance at Roxy’s Cabaret for “It’s BRITNEY, Brunch!” on Pride Saturday, June 29?
They can expect all the Britney nostalgia, from the costumes to the choreography and maybe even a little bit of my own spice in there as well! I hope people are ready to sing their hearts out with me!
Peppermint is a force to be reckoned with. As a drag queen, singer, actress, and activist, she's made a name for herself on stages across the world. From slaying the competition as runner-up on “RuPaul's Drag Race” season nine, to becoming the first openly trans woman to originate a principal role on Broadway (in “Head Over Heels”), Peppermint is a true trailblazer. We chatted with her about touring the Midwest, Janet Jackson, and what Peppermint is up to this Pride season.
Hi Peppermint! I loved you as Bea Eeep in the VH1 holiday film “The Bitch Who Stole Christmas”! What was your creative process like when finding Bea Eeep as a character?
I can appreciate that. It's definitely not the deepest character that I've ever delved into! I think the character was initially written for Trixie Mattel or someone way more famous and successful than myself. But I think when they turned it down they just asked me, I auditioned and sent in a tape. I had the job offer before seeing the full script about 30 minutes later. Initially, in addition to being a bad driver, Bea Eeep was an alcoholic but at some point I think they changed that — but nobody ever told me so I played it like she was drunk. You win some, you lose some. [Laughs]
You recently reimagined Janet Jackson’s classic music video “Together Again”! What was your favorite part of the shoot? (Watch the video in the Music Scene)
The arrival on the set was magical. And packing up and leaving was a huge sense of accomplishment. Everything in between felt like a Mad Dash to the finish as we were on a very strict timeframe. But we did it! Of course with the help of a really talented group of people.
What’s your favorite part of Janet Jackson’s original video?
The original video is just beautiful, the song is uplifting, and the visuals are stunning — so colorful! It reminds me of a sort of futuristic Africa. There's something so stunning and so simple about the original video.
What do you respect the most about Janet Jackson?
You mean besides her singing and dancing? Obviously, I'm a big fan, but I think the thing that strikes me the most — that resonates more on a personal level — is the relationship that she seems to cultivate with her dancers.
What does Pride mean to you?
Probably can take on a different meaning depending on what's going on in the world. Obviously, it's an opportunity for people both in and out of the LGBTQ+ community to celebrate our visibility and accomplishments, while we refocus on the task at hand. Beyond that, though, Pride is an opportunity for people to self reflect and hopefully come to the conclusion that a lot of the struggles that we face are very intersectional, regardless of how you identify. The LGBTQ+ community is one of those communities that's touched by every race, every religion, every gender, every sexuality, every nationality, and even begrudgingly every political party
How are you celebrating Pride month this June?
I think I'm going back to basics. I started out celebrating Pride in gay bars and gay clubs primarily. Over the years I've had more opportunities to partner with companies and organizations that wanted to demonstrate a partnership with people from the community. The last year we saw a real pushback and distancing from corporate interest in partnering with the queer community. Many drag queens I know who have done floats on the parade and partnerships, endorsements and commercials were not seeing a lot of those offers come in over the last year. Myself included. So it's time to pull out the glitter and the rainbow lipstick and get to the club, my darling!
Do you have any fun memories from touring in Minnesota or the Midwest region?
A year and a half ago, I went on tour with Jujubee to promote our new albums with a live band, and it was absolutely unreal. Getting to meet our fans and people who respected us for our drag and were really interested in our music. Which we were both releasing R&B projects at the time. I can't wait to get back on the road again.
Electro-pop artist Kiesza blew our minds in 2014 with the release of her breakout, billion-streaming single “Hideaway.” Since then, she has cemented herself as a dance pop superstar. Her highly-anticipated new album, “Dancing and Crying: Vol. 1,” is out Friday, May 24. Kiesza and I spoke ahead of the album’s release, touching on her creative process, working with “Canada’s Drag Race” icon BOA on a music video, and what the legacy of “Hideaway” means to her.
Your new single, “The Mysterious Disappearance of Etta Place,” just came out! How does it feel now that it belongs to both you and your listeners?
It's surreal. This song truly signifies a new chapter for me, one where I share more depth and storytelling. I've been waiting a long time for this moment, and it's beautiful knowing it has already begun.
The music video is gorgeous. What was your visual inspiration?
The music video is the fourth video in a connected narrative telling the tale of Diana “Wyoming” Jones, a character that came to life during a time when I decided to change course internally, causing a tectonic shift in my life. The narrative turning from black and white into colour holds deep meaning. I was fortunate to be able to take a few days to shoot this while I was dinosaur digging in Wyoming and it was so much fun to make! The core inspiration was focussed around the breathtaking beauty of Wyoming, combined with my secret desire to star in a western movie! I’m so honoured this song could feature a poem and presence of my dear friend Clay Gibbons. His heart and soul are pure magic.
How long did it take to record your upcoming album Dancing and Crying: Vol. 1?
It was written over the course of two years, during a time when I wanted to dig deeper and expand the wholeness of my artistic expression. It took time to hone this particular fusion of sound, but many songs came out of it, which have yet to be released!
What does it mean to you that “Hideaway” is such an anthem for your fans and the world?
I am so grateful that the world has so much love for 'Hideaway.' It keeps going and going and, in many ways, is the reason I am able to express myself so freely in my career as an artist. I love the connection people have to the song, as well as the connection I share through it with all of my fans.
It is an iconic, billion-streaming hit. Do you remember the first time you heard it on the radio or in public?
I was on my way to my first performance, where I was opening for Katy B. That was the only show I played as an opening act; from then on, I was a headliner, so this particular show always stands out in my memory. I was in a car heading to the show with my whole show crew when it came on the radio, and we all screamed together!
You are a noted LGBTQIA+ ally. What does being an ally mean to you?
I am the biggest supporter of pure self-expression and the freedom to love who you love. This community embodies these values to the core, and when I was emerging as an artist, they were the first to ever support my music, long before “Hideaway.” I would not be where I am today were it not for the genuine love and support of this beautiful community, and I will never stop loving and supporting them.
Drag artist extraordinaire BOA from Canada’s Drag Race is in your “Heaven Ain’t Calling” music video. Any fun stories from working with BOA on set?
Boa was the sun in this production, and the rest of us were all in orbit around her. She was incredible to work with, a magnificent performer. We shared lots of fun and laughs in the dressing room. Quite frankly, the whole experience of working with Boa was a fun story!
What do you hope fans take away from Dancing and Crying: Vol. 1?
Dancing and Crying is less about what I have to take away and more about what I have to give. This whole stream of self-expression is so alive, and the writing process alone encapsulates a whole series of adventures, both in life and in the soul. I'm just grateful I was brave enough to leap into this new chapter. There's more to it than what appears on the surface.
Country music is becoming more inclusive, according to out country music star Brian Falduto. Falduto first won our hearts as “Fancy Pants” in the classic 2003 Jack Black comedy film “School of Rock.” Now he’s covering Dolly Parton, adding queer storylines to his covers, and even directing music videos. He talks about how he made it to this moment, how country music has opened up to new voices, and what’s next for it to be more inclusive.
What is your favorite memory of playing "Fancy Pants" in the modern classic School of Rock?
Oh gosh, there's so many great memories to choose from. I think probably just how close we all got. The other kids and I shared a very unusual developmental experience by being in a major motion picture at such an early age. A lot of people won't ever be able to quite understand how that bonded us for life, but we're all still in an active group text 20 years later. And even Jack Black, Mike White, and Sarah Silverman… They've all stayed in touch and are so supportive, which I think is a testament to how much impact that movie had not only on everyone who has seen it, but those of us who were in it as well.
What drew you to country music?
I was always a fan of country music. Faith Hill was my first album. But it's really when Carrie Underwood won “Idol” that I fully converted. I was a huge fan of “American Idol” and voted for her many times. So when she began performing on the country music awards shows, I would watch. It's then that I discovered other artists within the genre and began to expand my knowledge of the format. And then my first job out of college was in country music radio, so I quickly became immersed in it professionally.
What was your inspiration behind covering “Why’d You Come in Here Lookin’ Like That?” by Dolly Parton?
I love covering songs in general. I think it's a fun opportunity to connect with your audience around something familiar, while also sharing your influences. Deciding on what song to record for my first-ever released cover was difficult. I had narrowed it down to two options that I had fun ideas for arrangements of, but Dolly's legacy ended up being the deciding factor. She's just such an icon in so many ways and I felt like I couldn't go wrong following in her footsteps. Plus, this song is very tongue-in-cheek, yet sincere — as is much of my current catalogue — so, I felt like it fit.
Your version includes a queer storyline. Can you tell us more about your queer interpretation of the song?
It's kinda just become my M.O. with country music at this point. There's not much difference in the meaning of the song... it's just gay now. Which is the exact lyric I sing on my song "Same Old Country Love Song.” "It's the same old country love song, but it's gay." For whatever reason, there seems to be this misconception that country music can't be queer — or at least that's the message I got growing up. My intention has been to revisit the sounds I grew up on, but to just tell them from an earnest point of view that is mine (and therefore is also incidentally gay).
You directed the music video! Do you have any fun stories from directing?
I did! It was my first attempt at it, too. The most fun part was probably coming up with the ideas for the dating profiles featured in the video. The story of the video begins with me swiping on a dating app, trying to find a match. We needed to create some profiles that would be obvious choices for "swiping left," and we had a good time being silly with that. A few fans have already expressed that the video is too relatable because we've all seen these guys on these apps. The world of queer dating can be tough to navigate sometimes! I'm glad we were able to capture that in a funny way.
Hollywood actor Dan Amboyer (TV’s “Younger,” “Uncoupled”) stars in the video. What was the most exciting part of working with him?
Ha, well the most exciting part of working with him was that I've had a talent crush on him forever (And also maybe just an actual crush… Who hasn't?), so to get to work with him was a real “pinch me” moment. We've actually been neighbors in Brooklyn for a while now and have had some run-in's at the gym. On the day of the shoot, I kept saying I was basically Hilary Duff now since she played opposite of him in Younger. He's so charming and professional and easy to share time with both on and off camera. I was incredibly grateful he said yes to this.
In your opinion, what are some of the next steps to make country music more inclusive of the LGBTQIA+ community?
It's happening! Slowly but surely. There are many queer artists like myself emerging. Luckily, in this world of streaming and TikTok and Instagram, we no longer need the gatekeepers of mainstream country music's approval to create more lanes within the genre. New types of country music artists are telling new types of stories, and it's great to see. But I think if country music radio and the country music awards shows were to push forward more diversity, it would help the cause more. It's still unusual to hear back-to-back songs by women on country music radio, so clearly there's work to do.
It’s a safe bet that our readers remember a wide-eyed, teenage David Archuleta as the runner-up on season seven of “American Idol.” After all, those were peak viewership times for the TV singing competition. It was birthing new stars like Kelly Clarkson and Carrie Underwood left and right. Later Archuleta joined in by releasing his unstoppable, Billboard Hot 100 number two hit single “Crush.” It permeated radio and pop culture.
What no one was expecting next was for Archuleta to become ex-Mormon, and to come out publicly as a gay man. These profound acts of bravery have ushered in a whole new era for the artist. Archuleta was eager to talk about his new single “Hell Together,” coming out, his fans, Paula Abdul, and what’s next.
I'm excited to talk to you because I had your first CD in my car in high school and I used to blare it and drive around.
Oh my gosh. How fun!
So multiple generations now have come of age listening to your music. How does that feel?
Multiple generations?
Like Millennials, Gen Z.
That's true. You know, “American Idol” brought me to like, the Baby Boomers, Gen X, Millennials, and Gen Z. And then a lot of people who are too young to watch those come across “Crush,” or they come across “iCarly” and “Hannah Montana” still — or like remember it — and they usually are like, wait, you're a real person. We thought you're just a character on those shows. Because I played myself.
Oh, yeah!
That’s kind of funny, but yeah that's kind of wild to think. I have had people be like, “Hey, I watched you on “American Idol,” I loved you in high school. This is my son. I'm bringing my kids to your show." I am like, “Oh, my God.” That's fun.
That must feel cool. Your debut single “Crush” has sold over two million copies in the United States alone. What's been your favorite experience with this song?
My favorite experience with this song? I think at this point, the longevity that it's had — and that people still love it to this day — is really fun. I think that is always a beautiful thing. And hearing people's stories, like, “I used this on my crush.” I like them. This was how I met my wife or whatever, you know. Stories like that are fun.
Your riveting new single “Hell Together” celebrates being out. How have your fans been there for you since you came out?
I feel like fans, you realize that they really will go through life with you. And they treat you like family, and they can feel like it's like this other, outward family kind of unit for you. You know where they are there to learn with you, be there for you. Be excited for you during your successes… cry with you when you're in your low points. And it's like, wow, these people really are genuinely just excited to be there with me on my journey. And I think that's so beautiful. And you think, “Oh, I'm a different person.” And of course there are people who just like your song — and that's it. Some people may take it personally where they're like, “Oh, you're not what we thought you were.” But there's this group of people that really stick… like, they celebrated me when I was not out yet, still figuring myself out, very religious. They were celebrating me and my successes. Now that I've like deconstructed, and left my religion, and come out. Then I was discovering a new part of me, and fans are celebrating it. And I think that is really, really beautiful. I've had new fans come along the journey as well. And I just welcome everyone, and [I’m] thankful for all of them. Just them supporting me as I go through life, and write about it, and share songs about it.
Congratulations on your GLAAD Media Award for Outstanding Breakthrough Music Artist. How did you celebrate your win?
I celebrated by going out dancing. And there was an after party that I performed at, so we just danced there. And then I went to Vegas to see John Summit the next morning — which was a little bit much — but when I say I'm going to do something, I like to stay committed to it. So my friends were like, “Hey, will you come see John Summit, this EDM DJ with me in Vegas?” I really wanted to, okay, and then the GLAAD Media Awards are announced. Like, “Hey, you're nominated,” and they’d like to have you perform at the after party. I was like, “Oh wait, that’s the day before” — I told my friend I’d go to John Summit. I could just tell them no. Or I could be a good friend, and that sounds really fun. I get FOMO, and it might be a great way to celebrate. So then I went to Vegas to celebrate after that.
Awesome. You're currently working on more new music. Can you give us a taste of what's to come?
Yeah, I think the next song I'm going to release is going to be more vulnerable. The first song I released this year was “Hell Together.” More triumphant. The next song is more about what I wrote before I wrote “Hell Together” — so it's a bit in reverse order. It's about feeling a little broken, I guess. Like why do I still notice insecurities? Why do I have a hard time feeling like it's okay to be loved, and receive love, basically? So that's coming next. But even with that, I've been experimenting with other things. Like I've written a lot more singer-songwriter songs — that are more vocal, more heartfelt — and then I've written more dance-y songs, because I do love to dance. I love to move. So I've tried writing stuff that would make people dance.
Awesome!
We'll see what ends up coming out. I'm still figuring it out. As an artist… what artist do I want to be?
What was your biggest takeaway from your experience as runner-up on “American Idol” season seven?
My experience. That life can change really fast — and quite drastically. But there's a lot out there. Life is different for everyone. And it can change depending on where you live, because I started traveling to different countries and different parts of the US. And everywhere you go, people see life differently — and experience it differently — but you can still connect with them. Like, through music.
You just honored Paula Abdul with the Straight Up Ally award at the 2024 Queerties. What was it like catching up with Paula?
That was so fun. I love Paula. She has accomplished so much, and she's gone through a lot recently. But to honor her like that, after she's been such a cheerleader for all of us on “American Idol.” She was just always there. Making a point to like come be with us. Make sure that we were okay. If we needed a word of advice — or like a pick me up — she would give it to us. Like, without the cameras there. It wasn't for show. It wasn't like, “Look how good of a person I am.” She just genuinely cared, and didn't matter who was watching or who wasn't. She just wanted us to feel supported, that’s just the real person she is. It was so fun to be able to honor her, do a medley, learn her choreography, sing her songs to celebrate her. Kind of just give her a big “thank you” — not just because of her to being an ally to the LGBTQIA+ community, but also just as a former “Idol” contestant, and being able to tell her thank you in that way, too. It’s really special.
Definitely. That's all the questions I have for you today. Thank you so much. It was a joy to speak with you.
Thank you, Derek!
Sasha Colby is everything. Fresh off of winning “RuPaul’s Drag Race” season 15 last year, the multi hyphenate drag entertainer is bringing her Sasha Colby: Stripped Tour to The Fillmore Minneapolis on April 7. We spoke ahead of the show, discussing exciting topics like the reaction to her win back home in Hawaii, being a successful trans drag performer in today’s climate, and the process behind bringing her show to life.
What was the reaction to your “RuPaul's Drag Race” win back home in Hawaii?
Back home in Hawaii, the reaction to my win on RuPaul’s Drag Race was so incredible. There were many videos and tags on social media of viewing parties, whether it was at bars or people's homes. The amount of pride that you could see Hawaii have, it was really beautiful and it felt really great to really make my hometown proud.
As a trans performer, how does it feel representing the community on the scale you are now?
The best thing about being a successful trans drag performer during this climate is that we’re surrounded by rhetoric saying trans people aren’t valid, so our existence is already in question. Showing up and being proud about it is so important because it gives all of these really scared youth hope. It conveys the message that even though they may not feel safe in the environment they're in now, there are people just like them that will make them feel safe when it's time. I also feel especially grateful to be able to represent trans drag, because my example allows trans people to feel included in the drag community as well.
Your drag daughter, Kerri Colby, is also taking the world by storm. What lessons have you learned from drag motherhood?
I think drag motherhood, first and foremost, makes you the child in a lot of scenarios. I've learned how to be a better mother through my drag kids, understanding their needs, and what they need from me as a mom has been evolving. We all grow together, so it's nice because I get to heal by doing the mothering that I never was able to get. I have made some really strong queer connections and get to make a bunch of really cool performers and goddesses like Kerri and all my other kids.
How did you come up with the premise of your new tour, Sasha Colby: Stripped Tour?
I wanted it to be called “Stripped,” not just because of the double entendre. If you know my drag, you know, I like to show a lot of skin, body positivity, and sex positivity. The “Sasha Colby: Stripped Tour” is really about stripping it back to why I love drag and dancing, which was really the focal point of the whole intention behind this tour. After so much high gloss and high production, it’s really nice to get back to my roots.
What, what has been your favorite part of the development process?
I think my favorite part of the development process would be co-creation with some of my oldest and dearest friends. We have all grown together throughout the years, and now we get to show the labor of our love and our friendship through storytelling. I feel so lucky to be the one to tell the story and to be the spokesperson for our magic.
Any funny behind the scenes stories?
I love that we are making memories in each city, everywhere we go. We're starting to get some more inside jokes and a little more delirious through each travel period. The funniest behind the scenes stories definitely come from traveling to all kinds of cities as dancers and LA kids, and seeing the people that can tell that we're not from there. It's always kind of hilarious. When we're going to the airport together, people usually think that we're moving because we have so many suitcases, but then we end up getting to tell them that we're putting on this amazing show.
What do you hope audiences take away from your show?
What I always hope for when anyone watches a Sasha Colby show, is that they feel empowered after. Whether it's through my vulnerability that allows them to feel stronger, it's really a feeling of universal human connection that I hope people experience. Whether you’re queer, cis, trans, or anything, it's all about being human and feeling empowered.
The lovably zany and funny drag queen Jimbo was the 2023 winner of “RuPaul’s Drag Race All Stars” season 8. Jimbo is bringing her trademark, actually clown school-inspired drag to Minneapolis on April 9 at The Fillmore Minneapolis. The show is called Jimbo’s Drag Circus, and audiences are loving it. It’s everything amazing about the queen in one show. We talked about the show, as well as making TV, in this candid phone interview.
Hi Jimbo. I'm such a big fan of yours. How are you doing?
Thank you so much. I'm doing great. I'm down here in Orlando, Florida. I'm getting ready to do my big show Jimbo’s Drag Circus and things are awesome.
From competing on “Canada’s Drag Race” and “RuPaul’s Drag Race UK vs. the World,” to winning “RuPaul’s Drag Race All Stars”… what a journey! Congratulations. How have things been since your win?
Everything has been so amazing. I love competing. I love being on TV. And now I get to travel around the world and meet incredible fans and just make people laugh — which is my favorite thing to do.
And “Drag Race” is still growing rapidly worldwide. What are your go-to favorite “Drag Race” series to watch?
Well, I always love “UK vs. the World” and the “UK” drag and sensibility. It’s always so fun to see the European like style and vibe. I also like seeing all the different countries kind of meet somewhere. Then of course I always love seeing who's going to be on an “All Stars” season. Always like fun to see someone get a second chance or a third chance or however many chance so and then of course I'm watching season 16.
Yeah, it's been so good so far!
And it's been a lot of fun. I haven't been able to see all of it but I’ve seen a bunch of it.
Last month you competed on “Family Feud Canada”! How was that experience?
Oh, it was just so fun. Like, I love making TV. I love being in studio and filming, and so it was really magical to be able to be there with my family and my brothers and my sister, and my partner, and so it was so exciting and I loved being on Family Feud, such an iconic show and the show I grew up watching always wanting to be on there and seeing how I would do. I had so much fun I really liked the host, he was really funny.
What excites you the most about touring America?
You know, I'm loving seeing all the different cities. It's amazing how many big, amazing cities there are all around America. And each one is so different and has some unique thing or queen or friend or something to see there. So it's amazing.
What was the development process of your tour Jimbo’s Drag Circus like?
Well, it's sort of a show that I've been working on in the back of my mind for a really long time. I love doing character work. I've always wanted to have backup dancers. And so it's been really amazing to bring together some of my favorite things. I was a set designer, a costume designer before being on “Drag Race. So I really put all of my past history in theater and creating a spectacle. My own story and my own career. So that's really exciting to be able to dream really big and then to be able to achieve that.
Definitely. Any funny rehearsal or performance stories?
I guess I do this number where I come out with these really, really big huge breasts and I spray everyone in the audience. It is so fun going around and everyone kind of opens their mouth like a little baby bird. Then I just cover their face in cream, and they're all sticky and happy, and having a little snack — and feeling kind of a little bit crazy at the same time. It's really just fun and exciting.
Classic Jimbo. What do you hope audiences take away from your show, Jimbo’s Drag Circus, playing April 9 at The Fillmore Minneapolis?
I really want people to just come. I want people to witness an unusual, fun spectacle. I really love that circus vibe. I really love creating a magical environment for people to just come and like relax and just know they're in good hands for an entertaining show. So people have been coming, they've just been laughing their asses off. They’ve been saying it's just weird and unexpected and really clever. I love making people think — and I love making people laugh — and at the end, people just really want more. So that's a sign of a good show, people wanting more.
Yeah, always leave them wanting more! That's all I have for you today. Thank you so much for your time!