Miz Cracker: Beyond the Glitter
From the bustling streets of New York City to the glittery stage of “RuPaul's Drag Race,” Miz Cracker has captivated audiences worldwide with her sharp wit, stunning looks, and undeniable talent. With a unique blend of comedy and glamour, she's become a beloved figure in the drag community. I had the privilege of speaking with the iconic Miz Cracker to discuss her journey, her inspirations, and what's next for this continually rising star.
Can you talk about your makeup techniques and costume design process? What are some of your favorite looks you've created?
For me, makeup is a low priority, and maybe it shows (ha ha). But garment design is a passion. Usually, a design idea comes to me when a childhood memory surfaces. I'll remember a Barbie that my sister had as a kid. Or my mom's favorite flower, the fuchsia. Or a family trip to a museum where we got to see real Faberge eggs. From those memories, I sketch out garments that bring the past back to life. Oh, by the way, I'm saying "garment" here instead of "costume" because a beloved designer friend of mine, David Dalrymple (@DavidDalrympleInc), once blanched when I called one of his gowns a "costume." I never did it again. I was like, "Oop!!"
Are there any particular artists or performers who inspire you?
No woman is an island — I wouldn't have the drive to create if I didn't have women icons to inspire me. Rachel Bloom, co-creator and star of "Crazy Ex-Girlfriend," showed me how to blend existential dread with pratfalls in my comedy. Amy Winehouse showed me how to Amy Winehouse. Kizha Carr (@thatbeardedqueen) and Brenda Dharling (@bdharling), two fabulous New York City drag queens, showed me how to bring every fiber of my being to every performance. You have to check them out. Jennifer Packer, an internationally renowned painter, showed me how to create art without compromising my values. And The Vixen (@thevixensworld) tries her best, on a daily basis, to keep me on track with that. The list goes on and on and doesn't include any straight men.
Drag can be a demanding profession. How do you prioritize your mental health and well-being?
I don't prioritize my mental health and well being— and maybe it shows (ha ha). I'm a creative person who has been given the incredibly rare, incredibly brief chance to create for a living, so I push as hard as I can to take advantage of this moment. Work/life balance is not a consideration. Would I recommend my way of living to other people? Not really. There are times when I snap, and have to spend a month in bed staring at a wall. And one day I'll probably crash permanently. But I burn my candle at both ends, as they say. I shall not sashay gentle into that good night, etc.
How did “RuPaul’s Drag Race” impact your career and public perception of you?
“RuPaul's Drag Race” allowed me to share my drag and my story with millions of viewers around the world, and I am forever grateful.
What was the first moment in which you felt you had “made it” in the drag industry?
Let's go back to Kizha Carr. A few years before I applied to “Drag Race,” Kizha held a birthday roast for herself at Industry Bar in New York City—and she invited ME to be part of it. Now, Kizha was and is a huge presence in town, so the event was a who's who of NYC nightlife. I was nervous as hell to get up on stage with the big girls in front of all those people. But then Kizha told me I was going to close the show. I was going to roast her last. And I thought to myself, "Oh my God, Kizha Carr thinks I'm good enough to close the show. I've made it."
What do you like to do when you're not performing? Are there any hobbies or interests you enjoy?
Any queen who has been forced to tour with me knows that I am pathologically obsessed with Polaroids. I have this 40-year-old SX-70 Polaroid camera that my wonderful photographer friend Noah Fecks (@noahfacksisawesome) gave me. I take it everywhere I go. And I try to capture the wildness behind the scenes of nightlife everywhere. It's an expensive habit — a pack of 8 Polaroids costs $20. And honestly most of the shots don't turn out, so I waste hundreds of dollars trying to get the perfect image. But when I get THE SHOT—I mean, when I get a truly good one... There's just no feeling like it. Also, sometimes I carry a book around and pretend I'm going to read it.
What can audiences expect at Miz Cracker & Her Boyfriends on September 7 with Flip Phone Events at LUSH Lounge & Theater?
Jam packed with jump splits and jokes, the show shares dozens of never-before-told salty and sexy stories from my romantic life… such as it is. If you want to hear about models and musicians, thieves and con-artists, two-timers and all nighters, look no further. But the show is also more than that to me. It's a big goodbye to my old way of life — a dark era where I allowed men to feed and fuel the ugliest, most self destructive parts of me. And it's my way of warning people not to take the path I've taken. Anywayyyy. Is everyone else having a nice day?
BE: Minneapolis' Rising Pop Star Sets Sail with "BE Island"
Minneapolis has a rich history of producing groundbreaking music, and it looks like the city's crown jewel of pop is about to shine even brighter. BE, the local sensation taking the music scene by storm, has dropped their highly anticipated mixtape, "BE Island." With a sound that's as fresh and invigorating as the city's lakes, BE is poised to solidify their status as a rising star and keep Minneapolis firmly on the musical map. They also have a new live concert experience coming to Phoenix Theater on August 18 and September 15 — and we talk all about it!
Hi BE! The Twin Cities have a rich musical history. Are there any local artists you draw inspiration from?
Honestly I was very late getting into the local music scene and a lot of my inspirations were pop icons or artists that I found on the internet. Last time I spoke with you guys I said that I was inspired by a lot of Britney, Abra, Grimes, Bjork, Charli, Nicki, Azealia and many others. My sound is definitely a mashup of many different influences from all over that I have pulled from the many artists I’ve admired growing up.
How do you see your music contributing to the larger conversation about LGBTQIA+ identity?
My music tends to be very sassy and explicit but I really like to show those sides of myself because that kind of freedom in art is always something I’ve valued. As I’ve grown into myself on my sexuality/gender identity journey it has become increasingly more important for me to stick with my gut, be proud of who I am in my skin and exist in my truth. Dressing and dancing sensually as a queer/non-binary person has gotten me criticized many times which has only made me fight even harder to be exactly how and who i am! These are of course all things that I’m sure all LGBTQ+ people can relate to.
Minneapolis has a vibrant and diverse LGBTQIA+ scene. How has this scene been a part of your artistic journey?
I moved to Minneapolis from Maplewood, MN around 2018 at age 21 and pretty much ever since I’ve been out here I’ve been surrounded by an abundance of queer art and culture. I was living in households with mainly other QPOC community members and creatives so I was definitely going out often to the local events that were happening in the underground music/party scene that was kind of happening in my early 20s. I feel like coming up in that environment taught me to value others as well as myself and stay persistent. I’m personally grateful for the collaborations I’ve done in the past with other local musicians I was interacting with at those times because they’ve brought me many wonderful memories that I look back on very fondly.
Are there any local LGBTQIA+ artists or producers you collaborate with?
There is one artist/producer/engineer that I have worked with several times in the past on many different songs of mine including Black Mamba, Don’t Mind If I Do and nightgarden. He goes by Sather (@satheraudio on Instagram!) and while we haven’t worked together in a while it’s definitely all love to them!
What are your thoughts on the current state of the Minneapolis queer music scene?
I have seen so many fantastic acts in my years here. What I would say is that the scene isn’t what it used to be, distress from covid and the George Floyd riots definitely contributed to that. I think the scene is recovering in some ways but there are a lot of spaces that just truly no longer exist anymore and you just had to be there. In a way I feel I’m reclaiming a lot of the spaces that I lost in this upcoming show at the Phoenix Theater!
What can audiences expect at The BE Xperience: Live at Phoenix Theater on August 18 and September 15?
You guys can expect a FULL LENGTH concert that’s at least an hour long! There will be costume changes, interludes, lighting, props and as always lots of choreography! I’ll also be adapting some of the storytelling/lore elements from my new mixtape “BE Island” (coming out 07/24 on all platforms) into the show as well so I can’t wait for you all to see that for yourselves!! Tickets are $10, there’s gonna be photo ops, games/interactive elements, concessions (that serve alcoholic and THC beverages) and much more!
What has your creative process been like while preparing for this live show?
At the moment I am writing this I’m still developing things but I’ve been spending a lot of time going over the setlist, working on new music, choreographing and brainstorming on how I can elevate this show to its highest potential while staying realistic about things. This is my first time renting out a venue for my own solo show, I’m used to performing at cabarets, on lineups or special events so getting to this point in my musical journey means a lot to me and those who support what I do. I haven’t always been confident in my sound, I also never had enough songs to fill up a full setlist. Now that I am/do I’m excited to continue growing and building myself up as a performance artist. I’m at a point in my artistry where I think it’s important to take risks and be bold, so this is me practicing that!
How did you come up with the title “BE Island” for your new mixtape?
So I’m very invested in building rich experiences and immersive worlds for those who interact with my art on any level. When I was getting back into the studio after my first mixtape Vol.Z3r0 was released in 2023, I was picturing an immense new realm being built. Initially I wanted to call the project “BE World” (which is a title I still intend on using for a future release, possibly the next one!) and when I was listening to the demos I had created since the last mixtape I decided they weren’t quite up to par with the “BE World” title/concept because I just wasn’t there yet sonically with what I had in mind BUT I thought instead we could make a little pit stop to “BE Island”! Once I thought of that concept it was off to the races, I utilized AI on the album/single covers for the first time which was a super useful tool that I can’t believe I spent my whole life without. I think the fact that so much technology is available to artists that can help make the art more fully realized is so so cool! I’m extremely proud with the result of this project, I’m happy that I got to tap into different energies/sounds I’ve always wanted to try like reggae, ska and R&B. I think this project will go down as a fan favorite!
What is your favorite memory of recording “BE Island”?
My favorite memory recording this mixtape was the recording session for the 6th track on the project called “brother man” which discusses my current relationship with my younger brother and matters related to my family upbringing. This song really brought the full Island vision together in terms of the sound of things. Like I said I always wanted to write a reggae song because I have such an admiration for the genre and how it can be so raw/real in its delivery. I’m grateful for the opportunity to create a song that pays homage to such a beautiful genre of music, I thought this vibe captured the essence of the message I was trying to get across with the track perfectly.
Pandora Opens Her “Boxx”
Pandora Boxx, the legendary drag queen with a sharp wit and even sharper style, has finally unveiled her highly anticipated debut album, "Boxx." Known for her iconic performances on “RuPaul's Drag Race,” Boxx has dipped back into the music world, and we're diving headfirst into it with her. Join us as we unpack the album, explore Pandora's creative process, and discover the unexpected sides of this multifaceted artist.
Who are some of your comedic influences, both inside and outside the drag world?
Oh there's so many! Carol Burnett will always be a major influence on me. I really love actresses who are pretty but can be completely goofy like Goldie Hawn, Anna Faris, Bette Midler and the late great Madeline Kahn who was a comedy genius.
“RuPaul's Drag Race” has undeniably had a huge impact on drag. How do you think the show has changed the art form?
I think “Drag Race” has made drag mainstream now. There's so many seasons, it's never-ending. I think that's mostly good but people need to remember to support local drag queens and live shows. I think this year with all of the anti-drag laws and so much access to drag on television some local shows have suffered.
Your comedic timing and wit are legendary. How did you develop your signature performance style?
I guess it goes back to talking about some of my comedy idols. I thought of "Pandora" as a somewhat pretty blonde who could be a total ditz but was always in on the joke.
What are your thoughts on the increasing emphasis on social media presence for drag queens today?
I think it's quite exhausting. I admire the queens who constantly have content and a plethora of photo shoots. It's hard to keep up. I'm addicted to TikTok even if mine is mediocre at best. I'm trying to make it much better.
Where did you draw inspiration from for your new debut album, “Boxx”?
There were a lot of inspirations. One big one was going back to my childhood and write songs that if I heard them then would make me feel so not alone.
What is your personal favorite track on “Boxx,” and why?
It's hard to choose just one favorite but I have a lot of affection for "Pill" as it was the first one I wrote and it's very personal. Plus it mixes "Alice in Wonderland" references interwoven with some heartbreak. I do also love my pirate song called "Scurvy." It's also a little ode to one of my favorite childhood and adult movies "The Goonies." The bridge in "Dance" made me cry the first time I had heard the final demo. It encapsulates what the whole song is about.
Any funny stories from the set of the music video for your album opening track, “Dance”?
Oh! It was a fun shoot! We shot at Luxe Laundries in Hollywood and they were great. The first place we had found out I was a drag queen and cancelled on me. So I'm glad the whole shoot ended up being such fun. I have no desire to give my money to a bigot. I mean, my part of the shoot was long because I had costume changes but the whole cast had fun! Two guys had, shall we say, a lot of fun. Some clever editing cut out some excited members.
Britney Spears Impersonator Allegra “Pi” DuVal To Visit Roxy’s Cabaret
Roxy’s Cabaret is about to have a Britney Spears takeover on Pride Saturday, June 29! Guest talent and Britney Spears impersonator Allegra “Pi” DuVal was born into show business, as her mother was the captain of the ballet company at Radio City Music Hall in the 1970s. A dancer since she could stand up, Pi began teaching dance at only 13 years old. Her dance company, Dance is Love, speaks out against racism, bullying, homophobia, transphobia, domestic violence and more. Since the pandemic, she has taken over TikTok with her Britney content. We had a fun chat about all things Britney, from impersonating to fandom.
“Hey Britney!” Tell us about how you got started impersonating Britney Spears professionally.
So I grew up dancing in my mother's dance school, and knew that I wanted to be a professional dancer for my career. I worked for various dance companies throughout my teens and 20’s, and eventually started my own dance company in 2016, where I got the opportunity to perform at Denver PrideFest — and debuted a Britney performance! I didn't plan on making it into a career, but when the pandemic hit, I started making Britney TikToks to pass the time — and many of them went viral. Soon people were flying me around the country to perform at weddings and birthdays, and I decided to make it an official thing!
What are some of your personal favorite Britney Spears memories, as a fan?
I still remember when I was 12 years old, watching Britney's MTV VMAs performance at home in 2000. Where she rips her suit off and lights up the stage with that nude, sparkly two-piece outfit. Just thinking, "WOW! I wish I could be her!" Her dancing, her costume, her stage presence was next to NONE. Ugh! I still get chills!
What is your absolute favorite Britney song to perform?
“I’m a Slave 4 U” and “Toxic” are my favorite to perform! I love Brian Friedman's choreography!
Britney is known for favoring certain songs over others, and she once admitted (on stage) that she never really liked “Sometimes.” Do you have a least favorite Britney song to perform?
Oddly enough, “Gimme More” is my least favorite to perform just because the song doesn't have much variation within it. It's very monotone and slow. I do love the song, but not to perform on stage.
What's your go-to karaoke song (besides Britney, of course), and how do you think Britney would belt it out?
I love to perform "Poor Unfortunate Souls” from “The Little Mermaid,” just because there's so much sass and attitude with it! I truly can't imagine Britney singing that song, but I'd love to hear her do it!
If you could raid Britney's closet for one outfit, which era would you pick and why?
Oh, I just love all her outfits from her Dream Within a Dream tour! All the low rise pants are my jam!
You accidentally bump into Justin Timberlake (or another past collaborator) at a party. What's your first line as Britney?
"People can take everything away from you, but they can never take away your truth… but the question is… can you handle mine?"
What can audiences expect from your performance at Roxy’s Cabaret for “It’s BRITNEY, Brunch!” on Pride Saturday, June 29?
They can expect all the Britney nostalgia, from the costumes to the choreography and maybe even a little bit of my own spice in there as well! I hope people are ready to sing their hearts out with me!
Peppermint is a force to be reckoned with. As a drag queen, singer, actress, and activist, she's made a name for herself on stages across the world. From slaying the competition as runner-up on “RuPaul's Drag Race” season nine, to becoming the first openly trans woman to originate a principal role on Broadway (in “Head Over Heels”), Peppermint is a true trailblazer. We chatted with her about touring the Midwest, Janet Jackson, and what Peppermint is up to this Pride season.
Hi Peppermint! I loved you as Bea Eeep in the VH1 holiday film “The Bitch Who Stole Christmas”! What was your creative process like when finding Bea Eeep as a character?
I can appreciate that. It's definitely not the deepest character that I've ever delved into! I think the character was initially written for Trixie Mattel or someone way more famous and successful than myself. But I think when they turned it down they just asked me, I auditioned and sent in a tape. I had the job offer before seeing the full script about 30 minutes later. Initially, in addition to being a bad driver, Bea Eeep was an alcoholic but at some point I think they changed that — but nobody ever told me so I played it like she was drunk. You win some, you lose some. [Laughs]
You recently reimagined Janet Jackson’s classic music video “Together Again”! What was your favorite part of the shoot? (Watch the video in the Music Scene)
The arrival on the set was magical. And packing up and leaving was a huge sense of accomplishment. Everything in between felt like a Mad Dash to the finish as we were on a very strict timeframe. But we did it! Of course with the help of a really talented group of people.
What’s your favorite part of Janet Jackson’s original video?
The original video is just beautiful, the song is uplifting, and the visuals are stunning — so colorful! It reminds me of a sort of futuristic Africa. There's something so stunning and so simple about the original video.
What do you respect the most about Janet Jackson?
You mean besides her singing and dancing? Obviously, I'm a big fan, but I think the thing that strikes me the most — that resonates more on a personal level — is the relationship that she seems to cultivate with her dancers.
What does Pride mean to you?
Probably can take on a different meaning depending on what's going on in the world. Obviously, it's an opportunity for people both in and out of the LGBTQ+ community to celebrate our visibility and accomplishments, while we refocus on the task at hand. Beyond that, though, Pride is an opportunity for people to self reflect and hopefully come to the conclusion that a lot of the struggles that we face are very intersectional, regardless of how you identify. The LGBTQ+ community is one of those communities that's touched by every race, every religion, every gender, every sexuality, every nationality, and even begrudgingly every political party
How are you celebrating Pride month this June?
I think I'm going back to basics. I started out celebrating Pride in gay bars and gay clubs primarily. Over the years I've had more opportunities to partner with companies and organizations that wanted to demonstrate a partnership with people from the community. The last year we saw a real pushback and distancing from corporate interest in partnering with the queer community. Many drag queens I know who have done floats on the parade and partnerships, endorsements and commercials were not seeing a lot of those offers come in over the last year. Myself included. So it's time to pull out the glitter and the rainbow lipstick and get to the club, my darling!
Do you have any fun memories from touring in Minnesota or the Midwest region?
A year and a half ago, I went on tour with Jujubee to promote our new albums with a live band, and it was absolutely unreal. Getting to meet our fans and people who respected us for our drag and were really interested in our music. Which we were both releasing R&B projects at the time. I can't wait to get back on the road again.
Electro-pop artist Kiesza blew our minds in 2014 with the release of her breakout, billion-streaming single “Hideaway.” Since then, she has cemented herself as a dance pop superstar. Her highly-anticipated new album, “Dancing and Crying: Vol. 1,” is out Friday, May 24. Kiesza and I spoke ahead of the album’s release, touching on her creative process, working with “Canada’s Drag Race” icon BOA on a music video, and what the legacy of “Hideaway” means to her.
Your new single, “The Mysterious Disappearance of Etta Place,” just came out! How does it feel now that it belongs to both you and your listeners?
It's surreal. This song truly signifies a new chapter for me, one where I share more depth and storytelling. I've been waiting a long time for this moment, and it's beautiful knowing it has already begun.
The music video is gorgeous. What was your visual inspiration?
The music video is the fourth video in a connected narrative telling the tale of Diana “Wyoming” Jones, a character that came to life during a time when I decided to change course internally, causing a tectonic shift in my life. The narrative turning from black and white into colour holds deep meaning. I was fortunate to be able to take a few days to shoot this while I was dinosaur digging in Wyoming and it was so much fun to make! The core inspiration was focussed around the breathtaking beauty of Wyoming, combined with my secret desire to star in a western movie! I’m so honoured this song could feature a poem and presence of my dear friend Clay Gibbons. His heart and soul are pure magic.
How long did it take to record your upcoming album Dancing and Crying: Vol. 1?
It was written over the course of two years, during a time when I wanted to dig deeper and expand the wholeness of my artistic expression. It took time to hone this particular fusion of sound, but many songs came out of it, which have yet to be released!
What does it mean to you that “Hideaway” is such an anthem for your fans and the world?
I am so grateful that the world has so much love for 'Hideaway.' It keeps going and going and, in many ways, is the reason I am able to express myself so freely in my career as an artist. I love the connection people have to the song, as well as the connection I share through it with all of my fans.
It is an iconic, billion-streaming hit. Do you remember the first time you heard it on the radio or in public?
I was on my way to my first performance, where I was opening for Katy B. That was the only show I played as an opening act; from then on, I was a headliner, so this particular show always stands out in my memory. I was in a car heading to the show with my whole show crew when it came on the radio, and we all screamed together!
You are a noted LGBTQIA+ ally. What does being an ally mean to you?
I am the biggest supporter of pure self-expression and the freedom to love who you love. This community embodies these values to the core, and when I was emerging as an artist, they were the first to ever support my music, long before “Hideaway.” I would not be where I am today were it not for the genuine love and support of this beautiful community, and I will never stop loving and supporting them.
Drag artist extraordinaire BOA from Canada’s Drag Race is in your “Heaven Ain’t Calling” music video. Any fun stories from working with BOA on set?
Boa was the sun in this production, and the rest of us were all in orbit around her. She was incredible to work with, a magnificent performer. We shared lots of fun and laughs in the dressing room. Quite frankly, the whole experience of working with Boa was a fun story!
What do you hope fans take away from Dancing and Crying: Vol. 1?
Dancing and Crying is less about what I have to take away and more about what I have to give. This whole stream of self-expression is so alive, and the writing process alone encapsulates a whole series of adventures, both in life and in the soul. I'm just grateful I was brave enough to leap into this new chapter. There's more to it than what appears on the surface.
Country music is becoming more inclusive, according to out country music star Brian Falduto. Falduto first won our hearts as “Fancy Pants” in the classic 2003 Jack Black comedy film “School of Rock.” Now he’s covering Dolly Parton, adding queer storylines to his covers, and even directing music videos. He talks about how he made it to this moment, how country music has opened up to new voices, and what’s next for it to be more inclusive.
What is your favorite memory of playing "Fancy Pants" in the modern classic School of Rock?
Oh gosh, there's so many great memories to choose from. I think probably just how close we all got. The other kids and I shared a very unusual developmental experience by being in a major motion picture at such an early age. A lot of people won't ever be able to quite understand how that bonded us for life, but we're all still in an active group text 20 years later. And even Jack Black, Mike White, and Sarah Silverman… They've all stayed in touch and are so supportive, which I think is a testament to how much impact that movie had not only on everyone who has seen it, but those of us who were in it as well.
What drew you to country music?
I was always a fan of country music. Faith Hill was my first album. But it's really when Carrie Underwood won “Idol” that I fully converted. I was a huge fan of “American Idol” and voted for her many times. So when she began performing on the country music awards shows, I would watch. It's then that I discovered other artists within the genre and began to expand my knowledge of the format. And then my first job out of college was in country music radio, so I quickly became immersed in it professionally.
What was your inspiration behind covering “Why’d You Come in Here Lookin’ Like That?” by Dolly Parton?
I love covering songs in general. I think it's a fun opportunity to connect with your audience around something familiar, while also sharing your influences. Deciding on what song to record for my first-ever released cover was difficult. I had narrowed it down to two options that I had fun ideas for arrangements of, but Dolly's legacy ended up being the deciding factor. She's just such an icon in so many ways and I felt like I couldn't go wrong following in her footsteps. Plus, this song is very tongue-in-cheek, yet sincere — as is much of my current catalogue — so, I felt like it fit.
Your version includes a queer storyline. Can you tell us more about your queer interpretation of the song?
It's kinda just become my M.O. with country music at this point. There's not much difference in the meaning of the song... it's just gay now. Which is the exact lyric I sing on my song "Same Old Country Love Song.” "It's the same old country love song, but it's gay." For whatever reason, there seems to be this misconception that country music can't be queer — or at least that's the message I got growing up. My intention has been to revisit the sounds I grew up on, but to just tell them from an earnest point of view that is mine (and therefore is also incidentally gay).
You directed the music video! Do you have any fun stories from directing?
I did! It was my first attempt at it, too. The most fun part was probably coming up with the ideas for the dating profiles featured in the video. The story of the video begins with me swiping on a dating app, trying to find a match. We needed to create some profiles that would be obvious choices for "swiping left," and we had a good time being silly with that. A few fans have already expressed that the video is too relatable because we've all seen these guys on these apps. The world of queer dating can be tough to navigate sometimes! I'm glad we were able to capture that in a funny way.
Hollywood actor Dan Amboyer (TV’s “Younger,” “Uncoupled”) stars in the video. What was the most exciting part of working with him?
Ha, well the most exciting part of working with him was that I've had a talent crush on him forever (And also maybe just an actual crush… Who hasn't?), so to get to work with him was a real “pinch me” moment. We've actually been neighbors in Brooklyn for a while now and have had some run-in's at the gym. On the day of the shoot, I kept saying I was basically Hilary Duff now since she played opposite of him in Younger. He's so charming and professional and easy to share time with both on and off camera. I was incredibly grateful he said yes to this.
In your opinion, what are some of the next steps to make country music more inclusive of the LGBTQIA+ community?
It's happening! Slowly but surely. There are many queer artists like myself emerging. Luckily, in this world of streaming and TikTok and Instagram, we no longer need the gatekeepers of mainstream country music's approval to create more lanes within the genre. New types of country music artists are telling new types of stories, and it's great to see. But I think if country music radio and the country music awards shows were to push forward more diversity, it would help the cause more. It's still unusual to hear back-to-back songs by women on country music radio, so clearly there's work to do.
It’s a safe bet that our readers remember a wide-eyed, teenage David Archuleta as the runner-up on season seven of “American Idol.” After all, those were peak viewership times for the TV singing competition. It was birthing new stars like Kelly Clarkson and Carrie Underwood left and right. Later Archuleta joined in by releasing his unstoppable, Billboard Hot 100 number two hit single “Crush.” It permeated radio and pop culture.
What no one was expecting next was for Archuleta to become ex-Mormon, and to come out publicly as a gay man. These profound acts of bravery have ushered in a whole new era for the artist. Archuleta was eager to talk about his new single “Hell Together,” coming out, his fans, Paula Abdul, and what’s next.
I'm excited to talk to you because I had your first CD in my car in high school and I used to blare it and drive around.
Oh my gosh. How fun!
So multiple generations now have come of age listening to your music. How does that feel?
Multiple generations?
Like Millennials, Gen Z.
That's true. You know, “American Idol” brought me to like, the Baby Boomers, Gen X, Millennials, and Gen Z. And then a lot of people who are too young to watch those come across “Crush,” or they come across “iCarly” and “Hannah Montana” still — or like remember it — and they usually are like, wait, you're a real person. We thought you're just a character on those shows. Because I played myself.
Oh, yeah!
That’s kind of funny, but yeah that's kind of wild to think. I have had people be like, “Hey, I watched you on “American Idol,” I loved you in high school. This is my son. I'm bringing my kids to your show." I am like, “Oh, my God.” That's fun.
That must feel cool. Your debut single “Crush” has sold over two million copies in the United States alone. What's been your favorite experience with this song?
My favorite experience with this song? I think at this point, the longevity that it's had — and that people still love it to this day — is really fun. I think that is always a beautiful thing. And hearing people's stories, like, “I used this on my crush.” I like them. This was how I met my wife or whatever, you know. Stories like that are fun.
Your riveting new single “Hell Together” celebrates being out. How have your fans been there for you since you came out?
I feel like fans, you realize that they really will go through life with you. And they treat you like family, and they can feel like it's like this other, outward family kind of unit for you. You know where they are there to learn with you, be there for you. Be excited for you during your successes… cry with you when you're in your low points. And it's like, wow, these people really are genuinely just excited to be there with me on my journey. And I think that's so beautiful. And you think, “Oh, I'm a different person.” And of course there are people who just like your song — and that's it. Some people may take it personally where they're like, “Oh, you're not what we thought you were.” But there's this group of people that really stick… like, they celebrated me when I was not out yet, still figuring myself out, very religious. They were celebrating me and my successes. Now that I've like deconstructed, and left my religion, and come out. Then I was discovering a new part of me, and fans are celebrating it. And I think that is really, really beautiful. I've had new fans come along the journey as well. And I just welcome everyone, and [I’m] thankful for all of them. Just them supporting me as I go through life, and write about it, and share songs about it.
Congratulations on your GLAAD Media Award for Outstanding Breakthrough Music Artist. How did you celebrate your win?
I celebrated by going out dancing. And there was an after party that I performed at, so we just danced there. And then I went to Vegas to see John Summit the next morning — which was a little bit much — but when I say I'm going to do something, I like to stay committed to it. So my friends were like, “Hey, will you come see John Summit, this EDM DJ with me in Vegas?” I really wanted to, okay, and then the GLAAD Media Awards are announced. Like, “Hey, you're nominated,” and they’d like to have you perform at the after party. I was like, “Oh wait, that’s the day before” — I told my friend I’d go to John Summit. I could just tell them no. Or I could be a good friend, and that sounds really fun. I get FOMO, and it might be a great way to celebrate. So then I went to Vegas to celebrate after that.
Awesome. You're currently working on more new music. Can you give us a taste of what's to come?
Yeah, I think the next song I'm going to release is going to be more vulnerable. The first song I released this year was “Hell Together.” More triumphant. The next song is more about what I wrote before I wrote “Hell Together” — so it's a bit in reverse order. It's about feeling a little broken, I guess. Like why do I still notice insecurities? Why do I have a hard time feeling like it's okay to be loved, and receive love, basically? So that's coming next. But even with that, I've been experimenting with other things. Like I've written a lot more singer-songwriter songs — that are more vocal, more heartfelt — and then I've written more dance-y songs, because I do love to dance. I love to move. So I've tried writing stuff that would make people dance.
Awesome!
We'll see what ends up coming out. I'm still figuring it out. As an artist… what artist do I want to be?
What was your biggest takeaway from your experience as runner-up on “American Idol” season seven?
My experience. That life can change really fast — and quite drastically. But there's a lot out there. Life is different for everyone. And it can change depending on where you live, because I started traveling to different countries and different parts of the US. And everywhere you go, people see life differently — and experience it differently — but you can still connect with them. Like, through music.
You just honored Paula Abdul with the Straight Up Ally award at the 2024 Queerties. What was it like catching up with Paula?
That was so fun. I love Paula. She has accomplished so much, and she's gone through a lot recently. But to honor her like that, after she's been such a cheerleader for all of us on “American Idol.” She was just always there. Making a point to like come be with us. Make sure that we were okay. If we needed a word of advice — or like a pick me up — she would give it to us. Like, without the cameras there. It wasn't for show. It wasn't like, “Look how good of a person I am.” She just genuinely cared, and didn't matter who was watching or who wasn't. She just wanted us to feel supported, that’s just the real person she is. It was so fun to be able to honor her, do a medley, learn her choreography, sing her songs to celebrate her. Kind of just give her a big “thank you” — not just because of her to being an ally to the LGBTQIA+ community, but also just as a former “Idol” contestant, and being able to tell her thank you in that way, too. It’s really special.
Definitely. That's all the questions I have for you today. Thank you so much. It was a joy to speak with you.
Thank you, Derek!
Sasha Colby is everything. Fresh off of winning “RuPaul’s Drag Race” season 15 last year, the multi hyphenate drag entertainer is bringing her Sasha Colby: Stripped Tour to The Fillmore Minneapolis on April 7. We spoke ahead of the show, discussing exciting topics like the reaction to her win back home in Hawaii, being a successful trans drag performer in today’s climate, and the process behind bringing her show to life.
What was the reaction to your “RuPaul's Drag Race” win back home in Hawaii?
Back home in Hawaii, the reaction to my win on RuPaul’s Drag Race was so incredible. There were many videos and tags on social media of viewing parties, whether it was at bars or people's homes. The amount of pride that you could see Hawaii have, it was really beautiful and it felt really great to really make my hometown proud.
As a trans performer, how does it feel representing the community on the scale you are now?
The best thing about being a successful trans drag performer during this climate is that we’re surrounded by rhetoric saying trans people aren’t valid, so our existence is already in question. Showing up and being proud about it is so important because it gives all of these really scared youth hope. It conveys the message that even though they may not feel safe in the environment they're in now, there are people just like them that will make them feel safe when it's time. I also feel especially grateful to be able to represent trans drag, because my example allows trans people to feel included in the drag community as well.
Your drag daughter, Kerri Colby, is also taking the world by storm. What lessons have you learned from drag motherhood?
I think drag motherhood, first and foremost, makes you the child in a lot of scenarios. I've learned how to be a better mother through my drag kids, understanding their needs, and what they need from me as a mom has been evolving. We all grow together, so it's nice because I get to heal by doing the mothering that I never was able to get. I have made some really strong queer connections and get to make a bunch of really cool performers and goddesses like Kerri and all my other kids.
How did you come up with the premise of your new tour, Sasha Colby: Stripped Tour?
I wanted it to be called “Stripped,” not just because of the double entendre. If you know my drag, you know, I like to show a lot of skin, body positivity, and sex positivity. The “Sasha Colby: Stripped Tour” is really about stripping it back to why I love drag and dancing, which was really the focal point of the whole intention behind this tour. After so much high gloss and high production, it’s really nice to get back to my roots.
What, what has been your favorite part of the development process?
I think my favorite part of the development process would be co-creation with some of my oldest and dearest friends. We have all grown together throughout the years, and now we get to show the labor of our love and our friendship through storytelling. I feel so lucky to be the one to tell the story and to be the spokesperson for our magic.
Any funny behind the scenes stories?
I love that we are making memories in each city, everywhere we go. We're starting to get some more inside jokes and a little more delirious through each travel period. The funniest behind the scenes stories definitely come from traveling to all kinds of cities as dancers and LA kids, and seeing the people that can tell that we're not from there. It's always kind of hilarious. When we're going to the airport together, people usually think that we're moving because we have so many suitcases, but then we end up getting to tell them that we're putting on this amazing show.
What do you hope audiences take away from your show?
What I always hope for when anyone watches a Sasha Colby show, is that they feel empowered after. Whether it's through my vulnerability that allows them to feel stronger, it's really a feeling of universal human connection that I hope people experience. Whether you’re queer, cis, trans, or anything, it's all about being human and feeling empowered.
The lovably zany and funny drag queen Jimbo was the 2023 winner of “RuPaul’s Drag Race All Stars” season 8. Jimbo is bringing her trademark, actually clown school-inspired drag to Minneapolis on April 9 at The Fillmore Minneapolis. The show is called Jimbo’s Drag Circus, and audiences are loving it. It’s everything amazing about the queen in one show. We talked about the show, as well as making TV, in this candid phone interview.
Hi Jimbo. I'm such a big fan of yours. How are you doing?
Thank you so much. I'm doing great. I'm down here in Orlando, Florida. I'm getting ready to do my big show Jimbo’s Drag Circus and things are awesome.
From competing on “Canada’s Drag Race” and “RuPaul’s Drag Race UK vs. the World,” to winning “RuPaul’s Drag Race All Stars”… what a journey! Congratulations. How have things been since your win?
Everything has been so amazing. I love competing. I love being on TV. And now I get to travel around the world and meet incredible fans and just make people laugh — which is my favorite thing to do.
And “Drag Race” is still growing rapidly worldwide. What are your go-to favorite “Drag Race” series to watch?
Well, I always love “UK vs. the World” and the “UK” drag and sensibility. It’s always so fun to see the European like style and vibe. I also like seeing all the different countries kind of meet somewhere. Then of course I always love seeing who's going to be on an “All Stars” season. Always like fun to see someone get a second chance or a third chance or however many chance so and then of course I'm watching season 16.
Yeah, it's been so good so far!
And it's been a lot of fun. I haven't been able to see all of it but I’ve seen a bunch of it.
Last month you competed on “Family Feud Canada”! How was that experience?
Oh, it was just so fun. Like, I love making TV. I love being in studio and filming, and so it was really magical to be able to be there with my family and my brothers and my sister, and my partner, and so it was so exciting and I loved being on Family Feud, such an iconic show and the show I grew up watching always wanting to be on there and seeing how I would do. I had so much fun I really liked the host, he was really funny.
What excites you the most about touring America?
You know, I'm loving seeing all the different cities. It's amazing how many big, amazing cities there are all around America. And each one is so different and has some unique thing or queen or friend or something to see there. So it's amazing.
What was the development process of your tour Jimbo’s Drag Circus like?
Well, it's sort of a show that I've been working on in the back of my mind for a really long time. I love doing character work. I've always wanted to have backup dancers. And so it's been really amazing to bring together some of my favorite things. I was a set designer, a costume designer before being on “Drag Race. So I really put all of my past history in theater and creating a spectacle. My own story and my own career. So that's really exciting to be able to dream really big and then to be able to achieve that.
Definitely. Any funny rehearsal or performance stories?
I guess I do this number where I come out with these really, really big huge breasts and I spray everyone in the audience. It is so fun going around and everyone kind of opens their mouth like a little baby bird. Then I just cover their face in cream, and they're all sticky and happy, and having a little snack — and feeling kind of a little bit crazy at the same time. It's really just fun and exciting.
Classic Jimbo. What do you hope audiences take away from your show, Jimbo’s Drag Circus, playing April 9 at The Fillmore Minneapolis?
I really want people to just come. I want people to witness an unusual, fun spectacle. I really love that circus vibe. I really love creating a magical environment for people to just come and like relax and just know they're in good hands for an entertaining show. So people have been coming, they've just been laughing their asses off. They’ve been saying it's just weird and unexpected and really clever. I love making people think — and I love making people laugh — and at the end, people just really want more. So that's a sign of a good show, people wanting more.
Yeah, always leave them wanting more! That's all I have for you today. Thank you so much for your time!
California-based, gay singer-songwriter Ryan Beatty had a full house audience for his Calico Tour stop at Fine Line in Minneapolis, Minnesota on March 5. Enamored by Beatty’s music, his chill and loving crowd clapped and cheered loudly at every chance.
Beatty was totally in control of the room while singing fan favorite songs like “Andromeda” and “Casino.” He even referenced having played the Fine Line previously, when he was 17. He is now 28.
Beatty’s great band was comprised of six members and Beatty himself, all giving out a chill vibe as they expertly played his soft rock tunes. The most impressive part of the live performance were Beatty’s smooth, dreamy vocals. At times, they soared. His vocal tone was hypnotic, guiding the audience along for a thrilling ride.
Beatty identifying as a gay recording artist lends a special dimension to his romantic lyrics, something the crowd clearly loved. Crowd members were singing, swaying and cheering all night long. The feeling was mutual, as Beatty told the Minneapolis crowd, “I’d love to come back, if you’d have me.” He went on to state, “Minneapolis, thank you so much for having me.”
The ever-provocative musician took St. Paul, Minnesota on an epic quest through her hit-filled songbook as part of The Celebration Tour
An actor later dressed up in Madonna’s iconic, Jean Paul Gaultier gold corset from the 1990 Blond Ambition World Tour. Here, Madonna took her concept of making any career highlight a "greatest hit” one step further, grinding on her 1990-self in a recreated red bed from that groundbreaking tour. Here Madonna proved that any successful past incarnation of herself was fair game to titillate her audience — even specific “hers” from past tours. This scene is famous for simulating masturbation on stage.
If you’ve never been to a Madonna concert, you may not know she likes the venue environment to feel like a nightclub. This means noticeably warm temperatures, and warnings at entrances about haze, pyro and strobes being used in the live production. The club floor-like stage reflected this, taking up almost the entire floor section of the arena. It’s no surprise; Madonna has always been at the cutting edge of tour video screens and video interludes, ever since her touring career began.
The stage consisted of a back video wall, a large carousel stage with a giant, tilted ring light above it, and various runways with end stages attached to them. It was nothing short of the most exciting pop concert stage the Twin Cities has seen in quite some time — maybe since Madonna’s own Rebel Heart Tour at the same venue in 2015. The stage was capable of so many configurations and special effects, it was mind-blowing.
Comedian and RuPaul’s Drag Race winner Bob the Drag Queen was billed as Madonna’s Special Guest, playing various roles throughout the sprawling, two-hour-plus show. He opened the show, walking through the crowd wearing a stunning tribute to Madonna’s Marie Antoinette-inspired 1990 MTV VMAs “Vogue” performance look. Many audience members were confused where Bob the Drag Queen’s voice was coming from. Catching on, the boisterous comedian teased the crowd by mimicking them, asking, “Where’s that soft, dainty voice coming from?”
Bob the Drag Queen explained that Madonna arrived in New York City in 1978 with $35 in her pocket, only to "become the undisputed Queen of Pop.” This made Madonna’s grand entrance feel even grander, as she spun on the carousel stage singing a surprising opening tune, the impeccably-selected “Nothing Really Matters." Her entrance look was an ornate, draping black outfit with large, hanging sleeves. The sleeves featured large circular cutouts midway down.
Bob the Drag Queen appeared several more times throughout the show, playing a club bouncer, a sad clown with a red balloon, a rodeo clown during “Don’t Tell Me,” and a Ballroom emcee during the “Vogue” section. His fellow RuPaul’s Drag Race star Manila Luzon joined him and Madonna on stage. Manila Luzon and Madonna rated dancers 10s or “CHOP” as they came down the runway, including Madonna’s young daughter Estere, duck walking and vogueing. Estere received 10s across the board.
Estere wasn’t Madonna’s only child on stage; in total, four out of six of the Queen of Pop’s children performed in St. Paul. Daughter Mercy played piano during Madonna’s sizzling performance of “Bad Girl.” Daughter Stella was one of the many dancers recreating the iconic “Don’t Tell Me” country choreography. Son David played guitar throughout the show, and even sang verse two of the 2003 deep cut “Mother and Father” solo, as pictures of his and Madonna’s mothers played on screen. Tuesday night, Madonna proved her children are some of her greatest hits as well.
Not every artist can pull off big sing-a-long moments in an arena concert. Not every artist is Madonna. Whereas many musicians desperately point their microphones toward their crowds and beg, Madonna achieves better audience participation results by just being herself. Her songbook stands for itself. Throughout the night, the crowd roared along to her hits from the ‘80s (like “Crazy for You”), ‘90s (like “Vogue”), ‘00s (like “Hung Up”) and ‘10s (like “Bitch I’m Madonna”).
In a surprise setlist change, Madonna performed “Take a Bow” in the spot where she usually sings either “Rain” or “Frozen.” It was a special treat, as she hasn’t performed “Take a Bow” since 2016. The audience loved every second. She even did acoustic renditions of “Express Yourself” and Prince’s “Kiss.”
On Minneapolis-St.Paul’s own Prince, Madonna said, “I’m in the birthplace of Prince Rogers Nelson. I’ve been here so many times.” She went on to speak of spending time with Prince, Michael Jackson, and all the fallen icons she pays homage to. “There’s death everywhere. So let’s celebrate life.”
During an emotional, vocally-stunning performance of her ballad “Live to Tell,” many screens came down from the ceiling all around the stage. The screens featured photos of legends and friends of Madonna that died of AIDS — many of whom were queer. As the song came to a close, the screens were flooded with countless images of those lost to the virus. It was heart-wrenching.
Just when the stage couldn’t get any cooler, the final end stage of the furthest runway grew into a cube on an epic scale. This was for “Bedtime Story,” containing elements of its Sound Factory Remix. A strawberry-blond Madonna was depicted floating in a dream world. She achieved this by being filmed from above the cube, with said video of her being pasted over other-worldly CGI visuals on the sides of the cube. There were also CGI visuals on the back video wall, creating a further world-building effect.
Madonna was then picked up by a flying black square window, which served as a visual for a time portal. This led to my favorite performance of the night —“Ray of Light (Sasha Ultra Violet Mix)” — featuring Madonna donning a holographic catsuit, and the black, Alien eye-shaped sunglasses featured heavily on her Instagram. Madonna went wild with her dancing during this, free-styling to the beat in an energetic and flashy way.
The Celebration Tour was given deeper meaning after the North American leg was rescheduled from summer 2023, due to a viral infection Madonna had. She has explicitly spoken about her previous illness on this tour, stating she had to survive for her children. We are so fortunate that she lived to tell her story on stage with her children, and share her hits in such a profound way.
5/5 stars
February is here, which means excitement as Black Excellence: February Edition at Phoenix Theater approaches.
This Saturday, February 17 event takes place at 10:30pm and is a celebration of fantastic artists that are Black trans/non binary. Join the ever entertaining Emcee Eun Bee Yes, and fabulous live performers Blackberry, Moe Russell, Cuntessa, Megan the Maneater, and this Edition's special guest artist, James Brown. This caliber of entertainers will deliver a phenomenal show to add to your Black History Month celebrations. The show will also be a touching farewell to troupe artist Cuntessa.
“Mean Girls” is back on the big screen. The franchise that began with “Mean Girls (2004),” and evolved into the Broadway musical “Mean Girls,” is now here as a musical film of the same name.
When Cady (Angourie Rice) moves to Illinois from Africa, she meets Janis (Auliʻi Cravalho) and Damian (Jaquel Spivey), two true friends who show her the ropes around North Shore High School. This includes a lesson on “The Plastics” — queen bee Regina George (Reneé Rapp), loyal minion Gretchen Wieners (Bebe Wood), and dumb sidekick Karen Shetty (Avantika) — three mean girls at the top of the school’s social scene.
Sound familiar? Well, that’s because both the Broadway musical and “Mean Girls (2024)” don’t stray far from the perfect, Tina Fey-written path of the classic 2004 film. This means whole lines of dialog being performed anew from the original film, mixed with jokes from the musical, and with an added layer of new material just for the film. The result is a serviceable musical film that is just plain fun to watch. Check it out in theaters, there are big laughs.
Fun holiday gift ideas curated by local pop culture devotee and SCENE writer Derek Murawski-Harguth. Derek Please!
Get all the hits on this expanded edition of Shania Twain’s iconic Greatest Hits album, which spans her entire career up ’til now. Giddy up!
It’s Britney, book! Buy her hot memoir The Woman In Me, or shop merch inspired by the book.
Love RuPaul’s Drag Race? See the winner of Season 15 herself, the iconic Sasha Colby, live at The Fillmore Minneapolis on Sunday, April 7, 2024.
The latest chapter of this queer teen love story makes the perfect gift for any queer person who’s a sucker for romance.
Shop skincare deals this holiday season for your friends, family — or yourself! Skincare makes a perfect gift for that friend that never treats themselves.
Gift this usually hard-to-find vinyl record, with the added bonus track “23.” Turn any vinyl collection up with this pop classic.
Got a Lana Del Rey fan on your list? A selection of both her latest and throwback merch is now available on her web store.
Your loved ones will love getting to see one of the many hot new theatrical releases coming up, like the musical film Mean Girls (2024). Fetch!
Give a Christmas-related Christmas gift that doesn’t suck, with Cher’s fantastic new holiday album. They’ll be spinning it into the New Year.
Enjoy the art of drag with a side of delicious cuisine! A drag brunch ticket makes the perfect gift you can experience together with your loved one.
Never closed! Gift 24/7, 365 with this Minneapolis staple that’s always ready to serve delicious and hot breakfast, lunch and dinner food.
Whether you have a kid or a kid-at-heart on your list, throw some nostalgia in with this ‘90s Nintendo 64 throwback Banjo & Kazooie plush toy.
The wintry tradition was performed in the Twin Cities Monday, December 11 at Northrop Auditorium
Jinkx Monsoon and BenDeLaCreme are at the top of their game, and the 2023 edition of the “Jinkx & DeLa Holiday Show” is further proof of such. The two are global drag icons and “RuPaul’s Drag Race” legends. BenDeLaCreme Presents — DeLa’s production company — produces the annual holiday show. DeLa herself directs, while Jinkx and DeLa co-write.
Where do you go from the top of your game? Anywhere else! This year’s “Jinkx and DeLa Holiday Show” begins with them intent on abandoning the show they’re already putting on, live. The comedic pair play like they’re out of ideas, and just want to go on vacation — but the show isn’t done with them yet.
The fantastical, queer show becomes self-aware in a meta, “Scream” movie-like approach. Once the pair go on vacation, the show follows them and makes them perform. It lends itself surprisingly well to a holiday spectacular. The result is a wild night of comedy and drag mayhem headlined by two pros.
Standout moments include one of the duo’s fabulous costume changes. The pair don matching red and white peppermint swirl sequin gowns. The dresses sparkle — and rival the classic light-up Christmas tree dress from years past. It is a moment of pure, queer holiday joy.
The musical numbers were expectedly great, including DeLa’s holiday parody of the 2023 Kylie Minogue viral hit “Padam Padam.” The speakers went off during this, with a subwoofer-pounding beat like no other in the show. It was a welcome surprise.
Choreography by Chloe Albin sparkles during this and all dance numbers throughout the show. Puppets were left off the cast list this go around, but the spritely and comedically-gifted dancers fill that void.
The show decidedly drops the Jinkx vs. DeLa storyline of years past. During a post-show Q&A, the duo stated that this was an intentional change. With all the division and turmoil in the world, they didn’t want to add to the fight. This proves that not only are they two pros with a self-aware show — they themselves are self-aware.
Missed it in Minneapolis? You can catch the show on a livestream December 21, broadcasting from Seattle!
Holiday and year-round drag favorites Jinkx Monsoon and BenDeLaCreme are two queens on a mission. That mission is to surprise you with a refreshed and updated version of The Jinkx & DeLa Holiday Show, each and every year. Their signature, holiday comedy and music spectacle arrives in the Twin Cities on December 11 at Northrop Theatre in Minneapolis, MN. I spoke to them about their workflow and creative process ahead of the fantastical show’s arrival.
Hi, Jinkx and DeLa! How are you doing today?
Jinkx and DeLa: Good!
Great. What's the beginning of your creative process like together for a new holiday show?
DeLa: Well, I think, you know, pretty early into the year Jinkx and I start tossing around whatever weird ideas we think we might want to fold into our Christmas tour the next year. And then sometime in the early spring, we start reaching out to each other and freaking out and saying, “Oh my God, how are we possibly going to make another year of Christmas content?” And then at some point, we get together and start making each other laugh — and then we know it's all going to be okay.
Jinkx: Yeah. Imagine the movie The Shining, but it's a comedy.
DeLa: Yeah, we just lock ourselves in a haunted hotel, and what comes out…
Jinkx: A show. A holiday show.
How much have you had to cut out of a holiday show for time? Do you come back to those creative ideas for the next show?
DeLa: We're writing kind of a ton. I think Jinkx and I have gotten good enough at crafting this thing, that by the time we hit our first preview, we trimmed a lot of the fat; we don't generally cut a whole lot once it's in front of an audience. But I think part of that is that we are deeply unafraid to cut things as we go. I think we know that. We generate a lot of ideas, and the best show comes out of only keeping the strongest ones. But yeah, I mean, a lot of times Jinkx and I have folded in old desires that hit the cutting room floor because it didn't quite make sense that year. I mean, this year, particularly Jinkx is getting to do a number that I think she has fantasized about for six years.
Jinkx: Just think sexy Krampus. One of the wonderful things about live entertainment is we work really, really hard on making sure that show number one — like, first preview — gets an amazing show. And then we get to learn from those previews. And like DeLa said, finesse the show a little bit as we go. But we settled into the show as quickly as possible. And it's it's amazing how much you learn from an audience. What I love about this production is we make sure that every single audience gets a fantastic show — even the preview audiences. Because we need those preview audiences. Really as a benefit, as a live entertainer to get to share something in front of an audience, and hear what works.
DeLa: Yeah, absolutely.
Jinkx: You don’t get that in film and TV.
What memories do you have from individual and duo touring in the Twin Cities at all?
DeLa: Oh, wow. You know, I mean, I gotten to do a couple of my solo shows there. And I at those times have always just had the most incredible reception and audiences I mean people are so enthusiastic just out of the gate and will really go on whatever journey that you that you want to take them on. I mean, I find the Twin Cities audiences are great. Great in that they're there to be excited. They're willing to laugh, but they also will go on a ride with us.
Jinkx: I like to call them the “Sin Cities," and that's the perfect place for me.
Derek: I was actually going to ask you Jinkx because you're a roast master what you would roast about the Twin Cities or the Midwest, but that's perfect right there. The sin cities.
Jinkx: Well the Midwest there’s almost too much material to get into it right now. We don't have enough time.
Derek: Exactly!
Jinkx: The Midwest can take a backseat to Florida any day.
Would you ever consider a sequel to your holiday special film, or a live taping of your stage show?
DeLa: Well, if you all wear your masks, then no. I mean I think Jinkx and I had such an incredible time making that film, but it's so rewarding to focus on the live tour. Because we get you know this this particular production is so much about community and gathering together. And so we really get to manifest that in real time when we're touring live, but you know, I think Jinkx and I would love to make more films together, but as long as we can be with audiences in person for the holidays. We're going to make sure that we can be.
Jinkx: Yeah. We’ve never replace our our live shows entirely. You know, we never convert fully to digital. But you know, it's fun to have, you know, like The Jinkx and DeLa Holiday Special, which is still available at JinkxandDeLa.com It's fun to have this like this time capsule, that no matter what, we created a film and it came out of the strife of the pandemic. So it's a testament to the community we're talking about because that film came into existence through community, and now it exists forever. So you can always watch it, and it's a wonderful companion piece to our live show.
DeLa: We probably won't do another full production anytime soon the way that we did during a pandemic. We do give people who can't make it to the show an opportunity to stream it, every single year. So every year we will do a live streaming of the show that people can watch from home if you're in a city where you're not able to catch it, or if the show's already sold out.
That's a fabulous idea. Yeah. I was wondering, on the note of community, why do you think the holiday show has become a yearly tradition for the queer community and drag fans alike?
Jinkx: I think because you know traditions like this rise out of a need, you know, and I think there is an annual need of feeling not alone.
DeLa: The holidays can be a really difficult time for a lot of folks, but specifically in the queer community. Even if these ideas of homecoming and togetherness are not things that we've always had access to — or that have rung true for us. We can create our own traditions and, you know, the queer community can be its own family, if we if we choose that. So that’s I think something that resonates with a lot of queer folks throughout the year. But, you know, on top of it, you have to remember that Christmas is aesthetically basically pride in a different color scheme. It's the time of year where everybody starts singing, and wearing sparkly sweaters, so it's pretty inherently gay to begin with.
I love that. What can audiences expect at The Jinkx and DeLa Holiday Show at Northrop Theatre on December 11?
Jinkx: Every year we try to bring bigger, bolder, flashier ideas to the stage — and this year is no exception. I call it theatre magic. We've got a lot of theatre magic planned because we have a wonderful cast of dancers that is going to allow for some visual spectacle… and some really big, lively, choreographed numbers. It just makes us excited, because we have so many resources now to put on a good show. So expect all the like glamour and sparkle that you would from two drag goddesses like ourselves, but also expect like just a really well-crafted production with really talented people and designers.
DeLa: Every year Jinkx and I feel so bolstered by our audiences, who every single year respond so well to what we do, and every year we get a little bit older and bolder about how crazy we're willing to get with this thing. Because we learn that our audiences really respond well to the authenticity of us just leaning into how bonkers and weird we like to get. So every year our way of addressing Christmas gets a little more wacky and off the rails. Last year we did a bit of a sci-fi. Then this year, we’ve got a sort of supernatural Twilight Zone element. We keep it Christmas, and we love that people really seem to — every single year — embrace the madness. It makes it so much more fun for us, and that makes the relationship between us and the audience really just a blast.
Thank you so much Jinkx and DeLa! It's always a pleasure to speak with you. I've interviewed you before, and met you in person at the shows, and you're just delightful. Thank you so much for everything.
Jinkx: Thank you.
DeLa: Well, thank you. It’s great to talk to you.
Read this spoiler-free review to learn more about this grandiose new film, which is being widely released on Thanksgiving.
A literal manor with a butler and team of staff, Saltburn is home to lavish parties and formal dress family dinners. Commoner Oliver, who is estranged from his own family, struggles to fit in with Felix’s ultra-wealthy family. Felix’s sister and cousin are classist and give Oliver grief about how he doesn’t belong at Saltburn.
Queer audiences can sympathize with the struggle to feel like you truly belong somewhere. Somehow Oliver has the strength to hold space and not let go. The result is a wild thrill ride through a film that is being billed as a “psychological black comedy thriller.” Highly recommended.
John Waters is bringing his “trash” comedic sensibility into the 2020s with vigor. He’s facing the reality of “Pink Flamingos” playing on the Turner Classics cable TV channel. He says it comes across worse to audiences today. As if the drag queen Divine eating dog excrement wasn’t enough of a shocker in 1972.
On RuPaul, Waters gave him his flowers for somehow making drag mainstream, in a time where “conservatives are just now finding Rocky Horror.”
Have a lot of Facebook friends? John Waters says that doesn’t matter, it’s lazy friendship. You have to meet in person. Don’t have friends? You cannot be bored in public — eavesdrop. Join in a conversation. In today’s cultural climate he jokes you need three lawyers just to ask someone on a date.
He has “youth spies” in his native Baltimore, who go to rap clubs at 4am and tell him what it’s like. They tell him horrible new things about the world in general that he should know, as THE preeminent auteur of trash.
Seeing John Waters grapple with modern ideas with such vigor and edge at 77 gives me hope. Hope that our younger pop culture heroes will hopefully be able to stand at 77 and give us their advice about the past, present and future, too. It certainly left me with a smile knowing Waters is still out there, spreading trash art and restoring his beyond classic, essential queer films.
The Larry Charles-directed “Dicks: The Musical” is making waves in early screenings. Subversive as it is hilarious, this jaw-dropping film is also the first musical released by film studio A24. Audience favorite A24 has a knack for releasing daring content that other studios might not be able to pull off, like “Spring Breakers,” TV’s “Euphoria,” and this year’s Academy Award-winner for Best Picture, “Everything Everywhere All at Once.”
Enter mom, played by the brilliant and vocally gifted Megan Mullally. She is so camp in this role, playing a shut-in that hasn’t had sexual relations in so long that her genitals “fell off.” It’s this type of absurd comedy that also brilliantly suits Nathan Lane, who plays the dad. Having recently come out as gay, getting back together with his ex-wife is a hard sell. He’s also the father of two Sewer Boys. These goblin-like little creatures live in a cage, and upon being fed provide some gross-out comedy with Lane that feels destined to become a meme.
The film also features the fabulous Megan Thee Stallion, real life rapper and global sensation. She plays Sharp & Jackson’s boss, and comedically stokes the workplace rivalry between the two. She also performs the standout number of the entire film, “Out Alpha the Alpha,” with full-out floor choreography… in high heels! Otherwise, the film’s music is catchy, funny and gets the job done. All told, the film feels like a subversive and queer instant cult classic.
“Dicks: The Musical” is in movie theaters nationwide now!
Jiggly Caliente is a reality TV star & judge, and a Hollywood actress. She is known for roles on TV shows like “RuPaul’s Drag Race,” “RuPaul’s Drag Race All Stars,” “Pose,” “Drag Race Philippines,” and more. We spoke ahead of her visit to Roxy’s Cabaret for Julia Starr’s birthday bash Saturday, October 14 at 10:30pm. Caliente gets candid about becoming a “Drag Race” judge, working with fellow trans icon Janet Mock on “Pose,” and more in this interview.
How did it feel evolving from a contestant on “RuPaul’s Drag Race” and “All Stars,” to a judge on “Philippines”?
From contestant to judge has definitely been eye opening, because you're responsible for judging fairly and unbiased from your personal feelings. You have to judge what's presented to you — not what you know from the outside world. You're judging artists, and I personally judge it as how would I like to be critiqued. It can be to the point but still done with respect.
What was it like to work on the hit FX show “Pose” with co-creator Ryan Murphy and company?
It was great working on “Pose.” I got to see a masterclass upfront watching Mr. Billy Porter on set. The production of “Pose” truly made me feel seen and respected as an actress. Not just some girl from a reality TV show. I also got to work with amazing people like Janet Mock and Steve Canals. Like I'm a very lucky woman. The cast was also super great. It didn't feel like work with them around. The work atmosphere was definitely such fun.
What did you learn from playing your character, Veronica Ferocity?
I'm an actress and can act — like I knew how to sew and make shit for the house of Ferocity [Laughs]. She's definitely an outspoken diva like her friend Candy that recruited her to the house.
Minneapolis-based actor and television host Sasha Andreev has appeared in stage and screen roles — most recently in Guthrie Theater’s “Into the Woods,” and the mega hit Netflix show “Stranger Things.” He also hosts on the home shopping network ShopHQ, based in Minnesota.
Now he stars in “Falsettos,” playing September 20 through November 5 at Theater Latté Da in Northeast Minneapolis. We spoke about his upbringing, acting career and “Falsettos.”
What was your first role in a show?
My first professional role was as Tony in “West Side Story” at Chanhassen Dinner Theatres. I replaced another actor halfway through the run, so it was both an opportunity to learn a part through observation as an understudy would – a skill that came in handy many times - and then to perform an iconic character with arguably some of the greatest musical theater songs ever written. I didn’t expect I’d be a musical theater actor since I’m not much of a dancer, but fortunately there are those exceptional non-dance roles, and the role of Tony opened the door to them.
Do you have a favorite song you’ve performed live?
There are a few, but a recent experience comes to mind. My “Falsettos” castmate Max Wojtanowicz hosts a monthly event called Musical Mondays at LUSH where a group of actor/singers perform a program of musical theater tunes they’ve chosen. This past spring I, apprehensively, chose to sing “You’ll Be Back” from “Hamilton,” fearing that such a recognizable song would be highly scrutinized and whether I’d be up to the task. I actually get pretty anxious singing in those types of settings, but it ended up being an exhilarating time because it gave me the opportunity to really let loose in a way I hadn’t in some time.
Tell us about your character in the show.
I play Marvin, whose optimism about the consequences of his actions is quickly shattered. Even in his relationship with his lover Whizzer, Marvin is very much stuck in a traditional heteronormative dynamic. He wants Whizzer to “play the wife,” all while expecting his ex-wife Trina to bend to his needs. It all comes to a head and Marvin learns some lessons that lead him to make better choices in the second half of the show. It’s exciting to play a flawed, complicated, fully formed queer character who gets to evolve through the play. “Falsettos” is one of the few shows in the musical theater canon that provides such an opportunity.
Do you share any personality traits with your character?
I see a lot of myself in Marvin. I relate to his inclination to “want it all,” believing that if he tries hard enough, things will turn out as he envisions. It’s a quality that can certainly backfire, but one that often drives my own optimism to make things happen. Marvin can be stubborn and temperamental, but also deeply caring and loyal, with a dash of neuroticism and insecurity. If I dare say, I connect with Marvin on all those fronts, and it’s been interesting to mine my personal experiences during the rehearsal process.
What’s your favorite part of working with your fellow stage talent in the show?
This cast is so impressive that it’s honestly been slightly intimidating to share the stage with them. Without exception they give such fearless performances in this show. It’s been a joy to watch them work, and it inspires me to deliver all I can to match their energy and commitment. Writer/composer William Finn’s music is also gorgeously complex, so to harmonize with this talented group, backed by Jason Hansen’s impeccable band, is really exciting.